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New position appointments for Gertrude Contemporary, Heide Museum of Modern Art, Asialink, Melbourne Youth Orchestra, TasDance and more.
Sydney Contemporary has partnered with Barangaroo Delivery Authority to deliver three major site-specific commissioned art works this August.
Minister Fifield’s office has announced over $100,000 to support growing cultural links with Singapore, across four key projects.
"Because of Her, We Can!" is the theme of this year's NAIDOC week. We take a look at events being held across the nation, and offer a short list of must sees.
Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is inviting submissions to join Carme Pinós’ vision.
The NSW Regional Cultural Fund has committed $8.592 million to Bundanon Trust, and the future development of Arthur Boyd’s Riversdale property.
Rupert Myer retires from AusCo, new AD for Tasmanian Theatre Company, Zemiro to head Adelaide Cabaret Festival, Board changes at ANAT and Multicultural Arts Victoria.
Blacktown Arts Centre has turned to some of the newest members of its community for a new programming initiative.
The Tasmanian government has committed $1.75 million to the relocation of Mona Foma (MoFo) to Launceston for each of next three years.
The people-pleasing dot installations of Japanese artists Yayoi Yusama are sure to drive crowds to Canberra, thanks to a major new acquisition.
New Curator for UQ, new Chair for Experimenta, CEO to leave Australian Booksellers Association, Exec Director leaves WA arts chamber and more.
A pilot project is the next step in the fight against the industry of fake Indigenous arts and crafts, to be conducted by Desart and Copyright Agency.
$20,000 seed funding opportunity for emerging creative entrepreneurs to be part of Australia's first accelerator program lead by ACMI and the State Library of Victoria.
The Artbank Roadshow returns this winter with a eight regional destinations locked in for artists to pitch their work.
From artists to museum directors, screen producers, publishers and arts patrons – we take a look at who was honoured this year.
Australian Museum expansion makes room for world's biggest blockbuster to visit Sydney.
A major survey exhibition tracks a 40 year career, and looks at how an artist has changed the perception of bark painting nationally and internationally.
An exhibition showcasing a collection of rare analogue synthesizers uncovers a forgotten period in experimental electronic music at the Grainger Museum.
Australia’s first race riot has an uncanny parallel to contemporary narratives, which are fleshed out in a new exhibition at 4A exploring alternatives to the violent re-telling of history.
Museum Hack founder Nick Gray, turned the "museum tour" on its head at the Creative State Summit, offering new ways to attract audiences.
There is already a shortage of creative spaces outside the city centre, and inner city artists’ movement to the suburbs is only making the problem worse.
Carriageworks Director, Lisa Havilah says that building long-term relationships with artists, and ensuring they have a purpose, is key to the sustainability of an institution.
Queensland artist Fiona Foley calls into question the ARC funded project Representation, Remembrance and the Memoria, saying that to witness another layer of revisionism in Australia is a shameful step too far.
Contrary to hype around this 'MONA effect', the museum’s benefits do not seem to be being shared with Glenorchy, the municipality it is located in.
An American study shows that in our climate of fake news and hyped media cycles, stability and trust is found in the stories museums tell.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
Three very differently scaled institutions, in three different countries and contexts compare notes on how they ethically represent their communities.
More Opinions and Analysis
An eclectic exhibition that offers a different take on stop-film animation, drawing and woodblock prints.
This drawing biennial is a considered and erudite take on the medium today.
You might not know it, but you must have had a Featherston in your life at some point, as this career survey proves in an exhibition as stylish as its subjects.
Daniel Buren uses steroid-sized children's building blocks to speak about our relationship with the world.
A measured and beautiful exhibition that looks at how Indigenous artists use their bodies to explore narratives and culture through objects.
This exhibition communicates a sense of otherness that is very ugly and brutal, but sadly the experience of many Australian Muslim artists.
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