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The Culture Cycle is a new series that asks whether Australia’s arts and cultural sector looks like Australia.
Once you start to realise you can become a painter, the only way you can become really major, is to just keep working, working, working - and he did.
You can tell a lot about a year by the topics that garner attention. We surveyed the exhibitions scheduled for 2018 to get a handle on what will dominate the year.
After seven months closure, the Joan Sutherland Theatre has reopened after a multi-million dollar upgrade for Sydney’s iconic venue.
A new installation will place Aboriginal cultures at the forefront of national and international visitors to Sydney.
Themes around mental health, youth access, and mentorships and partnerships were rewarded with Regional Arts Funding.
Junction Arts reshuffle; Melbourne Fringe Festival producer announced; New Chair for Wheeler Centre; Musica Viva CEO honoured and new Ten Days on the Island staff.
Australia Council appoints Director of Theatre; new Executive Director for MQFF; new Chair for NETS Victoria Board, and changes at Melbourne Fringe and Heide.
A consortium lodges a formal objection to the plans for Sydney Modern.
Community radio station PBS 106.7FM has been announced as the first of many cultural organisations to take up tenancy at Collingwood Arts Precinct.
The full list of artists, and what and where they are showing for the 2018 Biennale of Sydney, has been unveiled.
Collaboration is at the heart of Adelaide's newest museum, as six design teams, each a partnership between International and Australian firms, vie for the gig.
After 25 years, RealTime is calling it a day, but not before celebrating its significant archive of reviews, interviews and other documentation of the sector.
The Australian art world loses one of its largest characters, a dealer who launched many careers and who had a legendary eye for talent and beauty.
Changes at Sydney Opera House, Artbank, Ten Days on the Island, Terrapin Puppet Theatre and more.
NGA has announced new acquisitions from Whistler to Nolan, Hockney to early Papunya boards – some 79 works join the national collection.
They used to be quiet spaces; now they are the quiet achievers. We can all learn from libraries' successes in recalibrating for 21st century audiences.
Tired of big budget, big tech talk when it comes to innovation? Then start with old fashioned talking: it's proving the best cut-through for future-proofing organisations.
A new installation at Carriageworks is the next chapter in Grosse’s somewhat unorthodox journey with painting. What drives her and what does she value?
Expanded painting frees us from having to find the timeless essence of painting. Instead it's a changing pact between artist, medium and audience.
As the year draws to a close, we look back on some of the major news stories of 2017.
2017 was big: big empathy, big blockbusters, big harassment, big lobbying and big shifts in the visual arts ecology as a note of resilience kicked in.
Nine art prizes announced over two weeks reveal much about the psyche of our art scene.
Judith White says its really not that hard to get arts funding right in NSW; we just have to drop the push for the icon building and think cross sector excellence.
The big name, big traffic exhibitions are not the exclusive domain of city venues,
and the proven trend that 'regions attract' is moving into other forms of collaboration.
A push for greater gender equality in exhibitions at major art museums appears to have gained traction, but can the spike be sustained?
If we want good arts journalism it may just be up to us as content consumers, not because of cuts and a devaluing by the media giants.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
More Opinions and Analysis
A powerful re-mapping of the history of colonial and First Peoples interaction eclipses Reihana's career.
This exhibition both surprised and excited, and I was delighted to be thrown off guard and proven wrong.
In Cahoots is about six Aboriginal art centres and selected artists working together in unexpected ways to challenge the nature of creative collaboration.
A rare moment where you can savor a Rembrandt in clear sight of a Vermeer and a Frans Hals painting – all in Sydney this summer.
A velvet glove approach leads to well-pondered questions about colonial authority in the Pacific, and the right to delegate what is new, and to whom.
Powerhouse Museum’s summer exhibition delights at any age with its immersive digital playground too fun to leave to just the kids.
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