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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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After three short years in the role, Gerard Vaughan announced today that he will be stepping down as Director in 2018.
An exhibition of over 50 new and commissioned works by Patricia Piccinini announced – her largest in Australia.
The reality of a permanent contemporary gallery for Adelaide is a step closer this week as its $1.9M Stage One rolls into action with the search for an architect.
From literary leaders and conductors to opera and Broadway directors, new appointments at the top were announced this week.
Behind the scenes tours and immersive and experiential displays of existing collections will help audiences connect with the museum in new ways.
As the world mourns the anniversary of the 9/11 attacks this week, another pair of towers in Sydney offer a conversation of respect through art.
The new initiative will drive curatorial scholarship, artist commissions and exhibitions for Victoria's First Nation artists.
221 projects have been supported financially to the tune of $6.1 million, with 35% first-time applicants.
ArtsHub speaks with small galleries making a big impact at Sydney Contemporary and Spring 1883 art fairs.
The word from the top is that Sydney Contemporary is looking to adopt the Frieze and Miami model.
2018 Adelaide Biennale of Australian Art unveils its list of artists.
Esther Anatolitis has been named today as the new Executive Director of the National Association of the Visual Arts.
This week is no time for Art Fair FoMo. We give you the low-down on how to filter, to fossick and to find the art moment for you.
Public art is leaving the ‘plonk’ method behind, evolving into meaningful art works that hold great value for the wider community.
Opportunity is key to the success of regional arts. A new annual festival picks up on the momentum generated by recent trending conversations.
Mental health and wellbeing in the arts have gained traction as topics for discussion, but is action being taken as seriously as the conversation?
Australia is littered with monuments to old wars and colonial victors, but where are the monuments to the Frontier Wars and our Indigenous heroes?
Research has shown that over 60% of recent visitors attended cultural organisations as children, findings which have significant ramifications for the sector in the future.
A growing trend stimulates a rethink and a conversation about the effectiveness of curatorial collaborations as a new model for galleries.
Amid industry turmoil, newspaper cartooning is increasingly becoming a niche activity.
ArtsHub takes a journey to APY Lands with curator Nici Cumpston and talks politics, understanding and impact in the lead up to Tarnanthi Festival.
Artists have already done a lot with robots, but it’s safe to say that there’s more to come - especially by helping them produce sculptural art.
If we want good arts journalism it may just be up to us as content consumers, not because of cuts and a devaluing by the media giants.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing.
Writer quits and pens an angry screed about the state of arts criticism: it's a familiar story, but does the latest example say more about the industry than the individuals involved?
Predictability wins when surveying the art scene of another nation – in this case the Philippines – rather than the edgy art scene it is known for.
There are over 300 art prizes in Australia. Perhaps the only way to ensure cut through is to amp up the controversy.
More Opinions and Analysis
A survey long overdue. Sitting between sculpture and painting, Mais’ constructions appeal to minimalists and mathematicians alike with their very personal – and organic – approach to abstraction.
An exhibition at UTS Gallery reminds us to listen, to feel, and foretells an existence where sound doesn’t just have potential, it is powerful.
This extensive exhibition is not only a tribute to the importance that the House of Dior has had on international fashion but a reflection of its value as art.
While Sydney Contemporary may have recorded $16M in sales, it was a survey exhibition by a female artist that stole the spotlight this Sydney Art Week.
In the hands of the Aquilizans, cardboard is a powerful and timely conduit to racial and cultural conversations.
While the retinal ping of David Griggs' survey captures attention, it is the narrative of an expat artist working regionally that has the greater impact.
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