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British textile artist Jess de Wahls will travel to the Blue Mountains in June to present her exhibition Big Swinging Ovaries.
Head Curator for Artbank, new NAVA Board members, creative placements at Bell Shakespeare, and more.
A new Senior Curator at Monash Gallery of Art, Adelaide Fringe appoints Head of Industry and Artist Fund, and more.
A new collective has been formed by five major multicultural museums. Meet Multicultural Museums Victoria as it unveils the inaugural exhibition, Grandmothers.
WAAPA Executive Dean departs; Chamber Made CEO steps down; Perth Festival appoints next AD and Speak Percussion announces new EP.
Of the 57 finalists, 41 are of sitters from the art world, either self-portraits, portraits of other artists, or portraits of figures like collectors or dealers.
The Art Gallery of New South Wales has announced the winner of the 2018 Packing Room Prize.
A multi-sensory living installation displaying endangered Indigenous Australian grassland species will interrogate architecture’s responsibility to environmental rehabilitation.
Moving the Powerhouse Museum from the inner city to Western Sydney will cost $645 million, and may split the collection across two sites.
It’s no longer a case of just providing programing; youth now want to take control of how they engage with galleries.
An Associate moves from Queensland Theatre to STC, QSO appoints a Director of Artistic Planning, plus key appointments at the National Aboriginal Art Gallery and Ausdance National.
Cica’s resignation as CEO and Director of Heide Museum of Modern Art was quietly announced on Tuesday.
After a prolonged battle with cancer, photographer Polixeni Papapetrou has died at 57.
CONDO brings visual art out of the clinical white art fair booth and back into the gallery space through a free co-occupancy model.
The Victorian Labor government puts almost $40m into transforming ACMI, in its last budget before an election. The redevelopment will be major, closing ACMI for nine months.
The son of a Hunter Valley farmer will lead Australia's top visual arts institution into its future. Who is Nick Mitzevich and how healthy is the NGA, which he now steers?
When you call a plumber do you stop and think "is this person getting paid?" No, because we have labour laws that ensure people are paid for their work. So why do we seem to accept that a different standard applies to workers in the creative industries?
From the horrors of child abuse to the violence of the Frontier Wars, art offers us the opportunity to face trauma, and to heal.
Last week's budget allocated $48.7M to commemorate the 250th anniversary of Cook's landing at Botany Bay. But controversy over Cook isn’t new – it dates back to the 19th century.
Curators, arts administrators and artists share their strategies for improving diversity in the art world.
Three artists discuss the physical and emotional labours of their work.
Independent artists and small arts organisations talk about the allure of bricks and mortar versus the flexibility of working nomadically .
An American study shows that in our climate of fake news and hyped media cycles, stability and trust is found in the stories museums tell.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
Three very differently scaled institutions, in three different countries and contexts compare notes on how they ethically represent their communities.
By calling out the perpetrators of gendered harassment, NAVA hopes that many more people can come forward with confidence.
Andrea Dawkins MP, the Tasmanian Greens’ Arts spokesperson, discusses the challenges and opportunities facing the state's arts and cultural sectors.
More Opinions and Analysis
This exhibition, currently showing at the Ian Potter Gallery, is testament to an artist that continues to resist the ready categorisation of his work.
An important exhibition that draws upon little known yet epic encounters, intersections and histories that have surprising resonances for Australians.
Every school child, science student, design student, gaming or technology student should see this exhibition as it offers a non-threatening way to help navigate our future world.
A curated art prize that pricks mankind’s conscience and whets the appetite for art made now.
Now in its seventh edition, we take a look at how this sculpture festival has matured, and whether its rainforest location allows for greater conceptual scope.
Through materials and artefacts of colonial astronomy, Kate Scardifield explores how we each move through the world, making our own maps of time and space.
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