Body politics goes Black

How we "image" Aboriginal Australia plays off triggers that largely crosses the terrain of the body as politic.
[This is archived content and may not display in the originally intended format.]

Darren Siwes Marrkidj Wurd-ko (Cross Pose) Group 2011; Courtesy the artist and GAGPROJECTS/Greenaway Art Gallery, Adelaide

Cross Pose – Body language against the grain explores how artists use the body’s sensory language to shape political thought. While there are works in the exhibition that are made by non-indigenous artists, the slant is definitely Black, to use a word in sync with the kind of structures of perception and body politic that curator and UQ Senior Lecturer in Art History, Dr Sally Butler, is trying to unpack in this exhibition.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina