Rethinking the art of war

As we come out of a year of ANZAC centenary celebrations, three summer exhibitions force a new narrative on the old war-torn story.
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An installation of 210 helmets made from the Chief of Army’s reading list gives a psychological insight into war – installation view of Baden Pailthorpe’s work at AGSA; Photo ArtsHub.

War is so familiar and yet so foreign. As Australians lucky enough to live in peace we have little sense of real conflict but we have images of war – both real and fictional – on our televisions every night. This year, with the ANZAC Centenary we have also been in inundated with memorial art, much of it based on a familiar narrative of heroism, mateship and legacy.

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Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina