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The Australian art world farewelled three important artists recently – abstractionist Robert Rooney, painter Eric Smith and Indigenous legend, Hector Burton.
Portraits are a link between Margaret Olley and David Hockney, two very different artists being shown at the Tweed Regional Gallery & Margaret Olley Art Centre this year.
A major award for contemporary jewellery has made a move to increase public engagement with a people’s choice award.
Artists from all disciplines are encouraged to apply for Bundanon Trust’s 2018 artist in residence program.
The City of Parramatta has released a Cultural Plan, of which the Powerhouse Museum is central, and is calling for submissions.
A new organisation comes out of the ashes of Adelaide’s two contemporary art spaces CACSA and AEAF while a Sydney institution adds a Melbourne branch.
Many people nurture a secret passion to create but hesitate to consummate the desire.
Reflecting the progression in Australian advertising from humble newspapers to the rise of ad-assisted social activism.
The Melbourne Prize has introduced a new category to honour the City of Literature.
Rohan Thomson's photographic project 'The Makers' is dedicated to recognising the labour and humanity of visual artists.
Helping Parliamentarians select art work for their offices, and coping with over a million visitors a year, is all part of managing the Collection at Parliament House.
Women - and men - are under increasing pressure to 'lean in' and climb the career ladder. But in the arts taking a break from the climb is sometimes what's needed.
ArtsHub Special Offer: 2 for 1 tickets to QAGOMA's Film Noir program, celebrating one of the most seductive and enduring cinema movements.
The number crunch on artists representing Australia at the Venice Biennale shows two prominent galleries greatly dominate selection.
Opinions & Analysis
Sustaining a creative practice while running a business is a tough juggle as an artist. We talk with those doing it for advice.
Ambiguously located images tell a story of Indigenous dispossession, landing a velvet punch on global audiences for the Venice Biennale.
Corporate collections are traditionally the bastion of conservatism. Allens Linklaters flips the tables on the corporate brand with edgy commissions.
A contemporary interpretation of corporeality, flesh, and spirituality inform the Stations of the Cross exhibition.
Is it appropriate to now own 'Aboriginalia' in a knowing, retro-trashy way – when racism is still alive and well in Australia?
Newcastle Art Gallery cracks open our sense of self with entries open for a $50,000 figurative prize, and two major solo exhibitions that challenge beauty.
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