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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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Australia is littered with monuments to old wars and colonial victors, but where are the monuments to the Frontier Wars and our Indigenous heroes?
Research has shown that over 60% of recent visitors attended cultural organisations as children, findings which have significant ramifications for the sector in the future.
A growing trend stimulates a rethink and a conversation about the effectiveness of curatorial collaborations as a new model for galleries.
Amid industry turmoil, newspaper cartooning is increasingly becoming a niche activity.
ArtsHub takes a journey to APY Lands with curator Nici Cumpston and talks politics, understanding and impact in the lead up to Tarnanthi Festival.
Artists have already done a lot with robots, but it’s safe to say that there’s more to come - especially by helping them produce sculptural art.
For Anna Davis curating is a kind of laboratory where you can test out ideas and discover new things. Having a background as an artist helps.
What was once seen by the curators as the worst exhibition of the year has become a serious fundraiser and marketing exercise.
A pervasive ideology has encouraged us to see individuals, not a society; to think of competition as natural and emphasise growth at all costs. What damage has this done to creativity?
Award winning architect William Smart speaks with ArtsHub about what fuels good design, creative cities and Starchitect museums.
When examined as a group, a collection of paintings at the Museum and Art Gallery of the Northern Territory provide new insight into Australia’s most important atelier.
The isolation of working in remote Australia is no drawback for a network of Indigenous art centres, which act as feeders to our top galleries and festivals.
Whatever box we put them in, and none is entirely satisfactory, the artists whose works currently adorn the walls of MONA are clearly extraordinary.
Creativity provides a space where – whether through a picture, play, song, or simply scribbles on a piece of paper – we can start making sense of traumatic events.
Artists rethink the trauma of war by reflecting upon the little discussed attack on Sydney by the Japanese.
Pricing visual art can seem like plucking a number out of the air, but the reality is much more complicated.
For International Museums Day we examine the contemporary value of museums and harness the 2017 theme of saying the unspeakable.
A regional QLD city has caught the eye of New York curator–influencers, who value its cultural programing as being richer than Melbourne’s.
David Walsh's Museum of Old and New Art is located in one of the most disadvantaged municipalities in Tasmania, but are locals taking up the offer of free entry?
Arts organisations are ‘snow blind’ with demographic data that fails to explain what really makes audiences buy tickets. There is a smarter alternative.
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