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A regional gallery director’s curatorial indulgence opens the door on a national debate, and catches the eye of the Classification Board.
Tamara Winikoff has been at the helm of NAVA, the national peak body for the visual arts, for 22 years. She shares the challenges, the wins, the wisdoms and tips garnered along the way.
Parliament House is more than a location for sitting politicians; it is the meeting place for artists Imants Tillers and Michael Nelson Jagamara, and their story of reconciliation through collaboration.
Queensland Art Gallery’s new hang of Australian art offers the next chapter in the history wars, getting the story finally right from a big institution’s perspective.
If the well-used adage that a picture speaks a thousand words is true, what is the current focus on Indigenous Photography saying?
Australia is littered with monuments to old wars and colonial victors, but where are the monuments to the Frontier Wars and our Indigenous heroes?
Research has shown that over 60% of recent visitors attended cultural organisations as children, findings which have significant ramifications for the sector in the future.
A growing trend stimulates a rethink and a conversation about the effectiveness of curatorial collaborations as a new model for galleries.
Amid industry turmoil, newspaper cartooning is increasingly becoming a niche activity.
ArtsHub takes a journey to APY Lands with curator Nici Cumpston and talks politics, understanding and impact in the lead up to Tarnanthi Festival.
Artists have already done a lot with robots, but it’s safe to say that there’s more to come - especially by helping them produce sculptural art.
For Anna Davis curating is a kind of laboratory where you can test out ideas and discover new things. Having a background as an artist helps.
What was once seen by the curators as the worst exhibition of the year has become a serious fundraiser and marketing exercise.
A pervasive ideology has encouraged us to see individuals, not a society; to think of competition as natural and emphasise growth at all costs. What damage has this done to creativity?
Award winning architect William Smart speaks with ArtsHub about what fuels good design, creative cities and Starchitect museums.
When examined as a group, a collection of paintings at the Museum and Art Gallery of the Northern Territory provide new insight into Australia’s most important atelier.
The isolation of working in remote Australia is no drawback for a network of Indigenous art centres, which act as feeders to our top galleries and festivals.
Whatever box we put them in, and none is entirely satisfactory, the artists whose works currently adorn the walls of MONA are clearly extraordinary.
Creativity provides a space where – whether through a picture, play, song, or simply scribbles on a piece of paper – we can start making sense of traumatic events.
Pricing visual art can seem like plucking a number out of the air, but the reality is much more complicated.
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