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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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Showing all news in Features
Artists rethink the trauma of war by reflecting upon the little discussed attack on Sydney by the Japanese.
Pricing visual art can seem like plucking a number out of the air, but the reality is much more complicated.
For International Museums Day we examine the contemporary value of museums and harness the 2017 theme of saying the unspeakable.
A regional QLD city has caught the eye of New York curator–influencers, who value its cultural programing as being richer than Melbourne’s.
David Walsh's Museum of Old and New Art is located in one of the most disadvantaged municipalities in Tasmania, but are locals taking up the offer of free entry?
Arts organisations are ‘snow blind’ with demographic data that fails to explain what really makes audiences buy tickets. There is a smarter alternative.
Drinking coffee at work has a range of benefits, plus four more.
When industry moved out and left a country town floundering, art festival Cementa moved in to activate it.
A new kind of gallery space is emerging, straddling the distance between the traditional commercial gallery and the artist-run not-for-profit.
In the old stereotype artists are driven by inspiration but in the new renaissance they will be cultural producers working at every level of society.
Contemporary artists embrace the role of the rebel, questioning who controls our bodies, our digital selves and our legacies.
The City of Parramatta has released a Cultural Plan, of which the Powerhouse Museum is central, and is calling for submissions.
Rohan Thomson's photographic project 'The Makers' is dedicated to recognising the labour and humanity of visual artists.
Corporate collections are traditionally the bastion of conservatism. Allens Linklaters flips the tables on the corporate brand with edgy commissions.
Is it appropriate to now own 'Aboriginalia' in a knowing, retro-trashy way – when racism is still alive and well in Australia?
Good eyesight might seem to be a prerequisite for an artists but from Impressionist Edgar Degas to cyborg Neil Harbisson, colour blind artists replace clear sight with creative insights.
The psychological benefits of art work best when audiences slow down but galleries struggle to stop the rush.
Skills are transferable, age is a factor and sometimes you just need to take a chance when it feels right.
The arts like to think of themselves as the heart of originality but perhaps we can learn from info tech, design and even banking when it comes to innovation.
Museum Victoria consulted more than 600 experts to create its new Children's Gallery and 500 of them were kids. Now the children's insights are being used in adult spaces.
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