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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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Ambiguously located images tell a story of Indigenous dispossession, landing a velvet punch on global audiences for the Venice Biennale.
Would you change your domain to the trendier .art?
Artist Sarah Goffman reuses plastic in a clever pun that references history, while criticising contemporary society.
Dreams come true for 21 artists heading off to residencies in London, Berlin, Paris and New York.
From sleeping at the Venice Architecture Biennale to sleeping with others is a sculpture park, Matthew Bird alters our perception through artful snoozing.
A veteran cartoonist and a fierce advocate for free speech, Leak will be missed from the hallowed halls of Parliament to our nation's leading art galleries.
Would you display art prompted by an affair if you didn't want your spouse to find out? 24 Australian photographers have been tempted by the cover of anonymity.
Evidence is increasing of a salary rort at Victoria's premier gallery with security sub-contractors paying gallery guards in cash and below award rates.
Novelist Kate Grenville, audio artist Madeleine Flynn and theatre director Rosemary Myers are among the eight recipients of the prestigious Australia Council Awards.
Sydney Ball leaves a legacy that changed Australia's arts vision in the 1960s and continues to impact generations into the future.
Set against queasy green walls, be prepared for a very physical experience with this exhibition – not just a rethink – of human form across time.
Small to medium visual arts organisations do double the work for less than half the funding.
A Newcastle artist visualises Twitter abuse of Australian politicians, with a little help from a social scientist.
Many artists got their start in the world of advertising though few were as brazen as Andy Warhol in treating it equal to their fine art practice.
New legislation sends the message that fake boomerangs can bugger off.
From a video lament, to a comic spin on The Last Supper, this exhibition rethinks the physical and psychological reaction Australians have to roadkill.
The sale of a rare collection of Picasso prints valued at $9.3 million will result in a generous gift to Australian grassroots non-profit organisations.
Is acknowledgement just a case of name-dropping, or is the honouring of benefactors more than a complex deal for dollars?
A temporary reprieve lessens the blow for current students, but the future still looks bleak for Sydney College of the Arts.
New Chair joins McClelland Sculpture Park and Gallery.
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