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Showing all news in Opinions & Analysis
Judith White says its really not that hard to get arts funding right in NSW; we just have to drop the push for the icon building and think cross sector excellence.
Opinions & Analysis
The big name, big traffic exhibitions are not the exclusive domain of city venues,
and the proven trend that 'regions attract' is moving into other forms of collaboration.
A push for greater gender equality in exhibitions at major art museums appears to have gained traction, but can the spike be sustained?
If we want good arts journalism it may just be up to us as content consumers, not because of cuts and a devaluing by the media giants.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing.
Writer quits and pens an angry screed about the state of arts criticism: it's a familiar story, but does the latest example say more about the industry than the individuals involved?
Predictability wins when surveying the art scene of another nation – in this case the Philippines – rather than the edgy art scene it is known for.
There are over 300 art prizes in Australia. Perhaps the only way to ensure cut through is to amp up the controversy.
Street art in Sydney is now very much in demand – but it hasn't always been this way.
Kirsten Paisley, Deputy Director, National Gallery of Australia responds to a recent opinion piece by ArtsHub's Gina Fairley.
In response to Sydney University’s Final Change Plan for SCA, sector leaders have met to identify pressure points in what that vision might look like.
A new wave of survey exhibitions indicates renewed interest in looking back over artists' careers. Australian curators discuss this trend.
ArtsHub posted an image last week of a scheduled performance by Cigdem Aydemir at the MCA, causing comment over lack of context.
Battle of the Blockbusters: We take a look at how our blockbuster diet has changed as two diametrically opposed exhibitions both promise big numbers.
Childlessness is often regarded as a necessary sacrifice for a creative career, especially for women.
The NGA wants to push contemporary dialogues but it is late to the party with its focus on Filipino art.
Its agenda is laudable – to give more space to Australian artists at our majors – but does it fall down when a stronger lens is put to The National?
The number crunch on artists representing Australia at the Venice Biennale shows two prominent galleries greatly dominate selection.
An exhibition of digital art prompts an environmental scientist to question the changing meaning of artistic creation.
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