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Showing all news in Opinions & Analysis
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
Opinions & Analysis
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
Three very differently scaled institutions, in three different countries and contexts compare notes on how they ethically represent their communities.
By calling out the perpetrators of gendered harassment, NAVA hopes that many more people can come forward with confidence.
Andrea Dawkins MP, the Tasmanian Greens’ Arts spokesperson, discusses the challenges and opportunities facing the state's arts and cultural sectors.
We explore the challenges facing Tasmania’s creative industries in the lead-up to the state election on Saturday 3 March.
Nine art prizes announced over two weeks reveal much about the psyche of our art scene.
Judith White says its really not that hard to get arts funding right in NSW; we just have to drop the push for the icon building and think cross sector excellence.
The big name, big traffic exhibitions are not the exclusive domain of city venues,
and the proven trend that 'regions attract' is moving into other forms of collaboration.
A push for greater gender equality in exhibitions at major art museums appears to have gained traction, but can the spike be sustained?
If we want good arts journalism it may just be up to us as content consumers, not because of cuts and a devaluing by the media giants.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing.
Writer quits and pens an angry screed about the state of arts criticism: it's a familiar story, but does the latest example say more about the industry than the individuals involved?
Predictability wins when surveying the art scene of another nation – in this case the Philippines – rather than the edgy art scene it is known for.
There are over 300 art prizes in Australia. Perhaps the only way to ensure cut through is to amp up the controversy.
Street art in Sydney is now very much in demand – but it hasn't always been this way.
Kirsten Paisley, Deputy Director, National Gallery of Australia responds to a recent opinion piece by ArtsHub's Gina Fairley.
In response to Sydney University’s Final Change Plan for SCA, sector leaders have met to identify pressure points in what that vision might look like.
A new wave of survey exhibitions indicates renewed interest in looking back over artists' careers. Australian curators discuss this trend.
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