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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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Showing all news in Opinions & Analysis
ArtsHub posted an image last week of a scheduled performance by Cigdem Aydemir at the MCA, causing comment over lack of context.
Opinions & Analysis
Battle of the Blockbusters: We take a look at how our blockbuster diet has changed as two diametrically opposed exhibitions both promise big numbers.
Childlessness is often regarded as a necessary sacrifice for a creative career, especially for women.
The NGA wants to push contemporary dialogues but it is late to the party with its focus on Filipino art.
Its agenda is laudable – to give more space to Australian artists at our majors – but does it fall down when a stronger lens is put to The National?
The number crunch on artists representing Australia at the Venice Biennale shows two prominent galleries greatly dominate selection.
An exhibition of digital art prompts an environmental scientist to question the changing meaning of artistic creation.
Are we past the gender pigeonhole? Women artists are divided as to whether the adjective is helping or hindering their careers.
A recent report showed that Australia was at the bottom of the list when it came to business-university collaboration. The arts is turning that around.
As a creative outlet, blogging can motivate you but probably won't make you money - though it can lead to a book deal.
Not crediting artists' images online is an ongoing problem, from the top down.
Trump’s opponents see his lavish taste as evidence of despotic tendencies but perhaps like Louis XIV he will use luxury to support a national economy.
Australia has public holidays for agricultural shows, football finals and a horse race. Why don't the arts have a public day of celebration?
As "festivalisation" takes over our cities, one thing is increasingly left off the programing list – and that is the visual arts.
The increasing pressure on arts organisations to make money has spawned new kinds of events - and new words to describe them.
As technology improves the quality of reproduction, the old values are being newly debated.
If planned changes go ahead it will be almost impossible to become a silver, glass or ceramic artist in NSW.
Australia's art critics are mostly obsolete old fogies, gushing insiders or fence-sitting press-release summarisers.
Closing the Gap shouldn't mean bringing Aboriginal Australians to some white standard but bringing all Australians to an understanding of Indigenous culture.
The fashion for museum 'didactics', turns off art audiences who feel its patronising and moralistic undertones.
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