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Showing all news in Opinions & Analysis
Queensland artist Fiona Foley calls into question the ARC funded project Representation, Remembrance and the Memoria, saying that to witness another layer of revisionism in Australia is a shameful step too far.
Opinions & Analysis
Contrary to hype around this 'MONA effect', the museum’s benefits do not seem to be being shared with Glenorchy, the municipality it is located in.
An American study shows that in our climate of fake news and hyped media cycles, stability and trust is found in the stories museums tell.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
Three very differently scaled institutions, in three different countries and contexts compare notes on how they ethically represent their communities.
By calling out the perpetrators of gendered harassment, NAVA hopes that many more people can come forward with confidence.
Andrea Dawkins MP, the Tasmanian Greens’ Arts spokesperson, discusses the challenges and opportunities facing the state's arts and cultural sectors.
We explore the challenges facing Tasmania’s creative industries in the lead-up to the state election on Saturday 3 March.
Nine art prizes announced over two weeks reveal much about the psyche of our art scene.
Judith White says its really not that hard to get arts funding right in NSW; we just have to drop the push for the icon building and think cross sector excellence.
The big name, big traffic exhibitions are not the exclusive domain of city venues,
and the proven trend that 'regions attract' is moving into other forms of collaboration.
A push for greater gender equality in exhibitions at major art museums appears to have gained traction, but can the spike be sustained?
If we want good arts journalism it may just be up to us as content consumers, not because of cuts and a devaluing by the media giants.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing.
Writer quits and pens an angry screed about the state of arts criticism: it's a familiar story, but does the latest example say more about the industry than the individuals involved?
Predictability wins when surveying the art scene of another nation – in this case the Philippines – rather than the edgy art scene it is known for.
There are over 300 art prizes in Australia. Perhaps the only way to ensure cut through is to amp up the controversy.
Street art in Sydney is now very much in demand – but it hasn't always been this way.
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