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In Cahoots is about six Aboriginal art centres and selected artists working together in unexpected ways to challenge the nature of creative collaboration.
A rare moment where you can savor a Rembrandt in clear sight of a Vermeer and a Frans Hals painting – all in Sydney this summer.
A velvet glove approach leads to well-pondered questions about colonial authority in the Pacific, and the right to delegate what is new, and to whom.
Powerhouse Museum’s summer exhibition delights at any age with its immersive digital playground too fun to leave to just the kids.
Del Kathryn Barton explores powerful female sexuality but reproduces the male gaze.
The temporal landscape on which this work is presented is a shifting one, one that speaks not only of the past and the future, but also of the here and now.
Sansom’s continued fascination with pushing the boundaries of gender norms have their roots in some of his earliest work.
Shelter. Survival. Community. Communism. It’s all thrown out on the operating table where Asia exists in this bold exhibition, After Utopia.
A powerfully illuminating reminder of the extent that refugee experiences are hidden, and art’s role in offering a voice.
Beyond the brand, beyond the dots – we review GOMA’s Yayoi Kusama exhibition and dig deep into the factors that have shaped her 70-year career.
Swiss artist Pipilotti Rist permits us to dream and lose ourselves in her immersive video works, but is it all colour and no punch?
Described as 'unusual and stunning', Bill Henson's exhibition encourages one to research the man beyond the controversy.
Are Mapplethorpe's photographs as confronting as they were in the 1980s? Drawn from his archive, a new exhibition at the AGNSW takes a look.
In its second edition, and with a $17.54M boost from BHP, we take a look at Tarnanthi and its legacy role.
A next wave of strong First Nations women are changing the face of contemporary Indigenous art.
Does the exhibition live up to the legend? We walk through QAGOMA’s Richter show – the largest in the southern hemisphere.
Returned faith – an exhibition with so little conversation has so much to say.
A survey long overdue. Sitting between sculpture and painting, Mais’ constructions appeal to minimalists and mathematicians alike with their very personal – and organic – approach to abstraction.
An exhibition at UTS Gallery reminds us to listen, to feel, and foretells an existence where sound doesn’t just have potential, it is powerful.
This extensive exhibition is not only a tribute to the importance that the House of Dior has had on international fashion but a reflection of its value as art.
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