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Both Chunky Move and Expressions Dance Company's ADs step down, Board changes for Opera Queensland, new Artist Assoc for Australian Art Orchestra, and more.
Artists have gathered in Canberra this week for NAVA's Future/Forward conference and to discuss a Code of Practice, copyright and political agitation for change.
A new Director at CCP and a CEO for Tandanya National Aboriginal Cultural Institute; QAGOMA's new Head of Australian Art; board appointments for PGAV and Melbourne Festival, and more.
Is this exhibition dead wrong, or ethically considered? Melbourne exhibition of real bodies offers a lesson in science and wellbeing from the inventor of plastination, Gunther von Hagen.
An exceptional exhibition that heals through a landscape and brings together museums, collectors and artists in an environmental message of Arnhem’s floodplains and plant life.
Judy Watson has been commissioned to create the next public artwork in Sydney’s EORA journey.
A champion of craft and design, NGA’s former Senior Curator leaves a great legacy.
Melbourne Art Fair comes back pushing the boutique line and dealers give the new format the thumbs up.
ArtsHub speaks with some of the winners of this year’s Creative Partnership Awards about the value of philanthropy, and the challenges that private giving still faces in Australia.
Exhibition Aussie Dads hopes to open up a national conversation on equal access for parental leave for fathers.
In our uncertain, unethical times, a code by which artists and organisations can conduct business and their art practice is critical to valuing the arts and offering a firm foundation for effective policy change.
New Patron for QL2; a marketing manager for Yirra Yaakin; new dancers at WA Ballet and Head of Private Sales at Michael Reid Gallery.
South Australia’s festival for the visual arts has grown exponentially through its democratic model of inclusion and celebration of living practitioners.
Winner of the 2018 Holding Redlich People’s Choice Award announced, Kibble and Dobbie Award winners revealed, IPWEA Victoria honours The City of Stonnington, and more.
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
In the wake of a restructured position, and fashion gala cost blowouts, MAAS Director Dolla Merrillees has stepped down.
With dozens, sometimes hundreds of choices, navigating an arts festival program can be overwhelming. Arts industry figures offer their tips for making the most of the smorgasbord without getting indigestion.
Craft practices are being looked to as something of an antidote to the stresses and pressures of modern living.
Three very different exhibitions demonstrate the capacity of fibre art to carry contemporary loaded messages.
From 3D printed guns to fashion accessories and kids playing blocks, HELLO WORLD is an exhibition that looks at the impact of code on contemporary design.
Galleries and artists from around the country and overseas will come together in the coming weeks to display their works at art fairs in Sydney and Melbourne. Diana Carroll looks at what motivates people to buy art and how the business of buying and selling art is changing.
Writer and illustrator Mari Andrew uses illustration as an antidote for the frustrations and heartbreak of life.
Artist Brook Andrew and Monash's Dr Jessica Neath shed light on the international perspectives to Aboriginal Frontier War Memorial Research, in the light of recent public debate.
Queensland artist Fiona Foley calls into question the ARC funded project Representation, Remembrance and the Memoria, saying that to witness another layer of revisionism in Australia is a shameful step too far.
Contrary to hype around this 'MONA effect', the museum’s benefits do not seem to be being shared with Glenorchy, the municipality it is located in.
An American study shows that in our climate of fake news and hyped media cycles, stability and trust is found in the stories museums tell.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
More Opinions and Analysis
The fantastical meets the factual in these images and video stills created by medical research scientists from the Walter and Eliza Hall Institute.
Spanning two levels of the Ian Potter Gallery, Melbourne University, this exhibition explores the relationship between unionism and the arts in Australia.
Traditional or unconventional, these drawings in Australia’s pre-eminent prize contain the art of conception and the craft of execution.
These two powerful exhibitions, Karrabing Film Collective's The Mermaids: Mirror Worlds and Haegue Yang's Triple Vita Nestings, are now on display at the Institute Of Modern Art in Brisbane.
Contemporary art shines in Far North Queensland.
This is an exhibition worthy of the serious curatorial lens it has been given, and speaks of the richness of university collections.
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