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New Australia Council First Nations Manager, co-directorships for Aphids announced, new Exec Director for Co3, and other appointments.
Female artists lead the way in the latest Australia Council grants, with female artists receiving more than half the project funding in the latest grant round.
New CEO for Adelaide Central School of Art, TSO announce new Chief Conductor, Chamber of Arts and Culture WA appoints new Executive Director, and new Board appointments for PAC Australia.
Is it just uncanny timing, or does the recent two weeks of announcements of major exhibitions at top drawer institutions demonstrate that gender balance is still skewed?
New GM Entertainment Assist and Eureka Centre, while Barking Gecko Theatre gets a new Artistic Director.
A life drawing class with a unique approach will celebrate its 10-year anniversary next week.
Mora, whose life was as colourful as her paintings, helped foster Melbourne’s bohemian culture following her arrival from France in 1951.
Craft is a global movement – it’s a human movement – and a new Festival of short film leverages our screen-based lives to encourage interest in the handmade.
QUT nabs US media scholar, Next Wave gets new Director/CEO, Lifetime Patrons for MTC, New Chair at La Mama, and more.
A portrait of him won the Archibald Prize in 1966, a Melbourne hotel was named after him, and he even wrote a manifesto that shaped Australian art history. Blackman’s legacy is great.
Both Chunky Move and Expressions Dance Company's ADs step down, Board changes for Opera Queensland, new Artist Assoc for Australian Art Orchestra, and more.
Artists have gathered in Canberra this week for NAVA's Future/Forward conference and to discuss a Code of Practice, copyright and political agitation for change.
A new Director at CCP and a CEO for Tandanya National Aboriginal Cultural Institute; QAGOMA's new Head of Australian Art; board appointments for PGAV and Melbourne Festival, and more.
Is this exhibition dead wrong, or ethically considered? Melbourne exhibition of real bodies offers a lesson in science and wellbeing from the inventor of plastination, Gunther von Hagen.
An exceptional exhibition that heals through a landscape and brings together museums, collectors and artists in an environmental message of Arnhem’s floodplains and plant life.
Judy Watson has been commissioned to create the next public artwork in Sydney’s EORA journey.
The advent of second wave feminism resulted in a long-overdue re-appreciation of the works of Vida Lahey, Margaret Preston, Grace Cossington Smith and others, and their place in the art canon.
An Australian art business takes on the toughest art market in the world – and it’s making waves.
A year in, ArtsHub speaks with the National Sound and Film Archive’s new CEO on how exhibitions and digitisation are necessary to grow a living, accessible collection.
The hustle of being an artist, or any type of creative for that matter, can at times become all too consuming. A new exhibition offers a light-hearted take on the serious business of being an artist.
Absolute Humidity sounds more like a weather app, but unlike the weather, this publication is razor sharp accurate in mapping cultural engagement with the Asia Pacific.
ArtsHub spoke with artist run spaces to ascertain whether smaller towns are more receptive to ARIs, and whether it’s a tougher gig than their city counterparts.
Politics, policy and passion set the tone for August 2018.
Artist Brook Andrew and Monash's Dr Jessica Neath shed light on the international perspectives to Aboriginal Frontier War Memorial Research, in the light of recent public debate.
Queensland artist Fiona Foley calls into question the ARC funded project Representation, Remembrance and the Memoria, saying that to witness another layer of revisionism in Australia is a shameful step too far.
Contrary to hype around this 'MONA effect', the museum’s benefits do not seem to be being shared with Glenorchy, the municipality it is located in.
An American study shows that in our climate of fake news and hyped media cycles, stability and trust is found in the stories museums tell.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
More Opinions and Analysis
This latest exhibition at the Blue Mountains Cultural Centre was two years in the making and relies heavily on loans from the Daniel Solander Library, National Herbarium of NSW and contemporary artists.
Small in scale but large in imagination, these 40 forms provide an overview of the best of contemporary sculptural practice from every state and territory in Australia contained in a single room.
Building upon a teaching and touring archive, 50 artists have gifted significant artworks to the National Art School Collection. Those gifts are unveiled in an exhibition that reads like a roll call of Australian art history.
The National Gallery of Australia had one of the largest acquisition budgets in the world in the 70s. A new exhibition forces us to question the value of the arts today.
This exhibition shows that Ledger was so much more than an actor; he was an inspiration to anyone with a creative inclination to experiment – to just do it.
What do a cake tin, flower stamens, and robotic headdresses have in common? Nothing, but they make for a great exhibition about art and technology.
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