Why we need strong women to lead risk-taking in the arts Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles On the move: the latest appointments and resignations New director of MAAS, new Associate Producers at ILBIJERRI, sudden dismissal of YIRRAMBOI Creative Director, and more. Nginha ngurambang marunbunmilgirridyu: I love this country – but do you? Jonathan Jones’ Artstate keynote talk offered fresh pathways forward in our complex colonial conversation. Review: Bowness Prize 2018, Monash Gallery of Art The Bowness Photography Prize is a contemporary collection of stories in pictures told by Australians at home and abroad, making the visual vocal. Lisa Havilah to head up MAAS and lead Powerhouse Museum move Lisa Havilah is the fourth woman to take the reigns of the Powerhouse, and the first to step into a restructured CEO position that will captain the Museum’s controversial relocation. (Premium content) Premium content Gina Fairley Monday 22 October, 2018 It's easy to talk about breaking glass ceilings and taking risks, but the National Gallery's Assistant Director Alison Wright shows us how it's done. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Alison Wright; supplied Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.