Scoring a role: how do you compose music for games? Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles 5 ways the arts takes on the climate crisis We look through our best stories to find these tops reads on how the sector can confront climate change from activist museums to an immersive work set in the eco-pocalypse. The mystery elephant in the GAC room Geelong Arts Centre has discovered an elephant bone and other odd objects on their reconstruction site. ICYMI: The week's top news in the arts (locked) Sotheby's sold to French billionaire, new home for Nolans, Civilization hits Melbourne, opportunities for artists and more. Craft as political agent An exhibition that looks at the global trend of fusing craft with activism, Craftivism heads to Canberra’s political heart – the Museum of Australian Democracy. (Premium content) Premium content Jini Maxwell Thursday 29 August, 2019 Videogames offer many opportunities for audio experts, but how do you crack into this evolving industry? Here are our 6 key steps to get you started. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today High Score 2019: Sound Art and Composition is the first event of Melbourne International Games Week. Member login Email address Password Forgot password? About the author Jini Maxwell is a writer, poet and editor based in Narrm. They edit quarterly literary journal The Lifted Brow, and previously directed National Young Writers Festival. Both their poetry and prose engage with play, creative labour, and queerness. They have contributed critical writing to Screen Education, The Saturday Paper, ACCA online, Melbourne Knowledge Week's Stories platform, The Lifted Brow, and Melbourne Recital Centre's soundescapes. Their poetry has recently been published in Cordite Poetry Review, SCUM MAG, and Overland Journal. In 2018, they were one of three Emerging Critics in Residence at the Melbourne Recital Centre.