Aboriginal art becoming darling of US collections

(Premium content) Premium content
Gina Fairley

The Australia market for contemporary Aboriginal art has lost its shine but American collectors are seizing the opportunity, as two major exhibitions demonstrate.

This content is only available to members of ArtsHub

Join Now for instant access!

A subscription to ArtsHub will enable you to:
  • Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly
  • Keep up to date with the latest industry news
  • Access thousands of members-only features, articles and guides
  • Be in the know with upcoming events and exhibitions added daily
  • Learn how and where to get grants, with the most extensive grant finder

... and much, much more.

Join Now and join the Australian arts community today

Tommy Mitchel, Warlpapuka, 2009 showing in No Boundaries: Aboriginal Australian Contemporary Abstract Painting, The Scholl Collection at PAMM, © Tommy Mitchell estate, courtesy of Warakurna Artists.

About the author

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years.

She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.