Artists take VR to the next level Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Alexander Calder Radical Inventor, NGV Calder exhibition, Radical Inventor is a tribute to living, breathing works of art. Review: Sculpture at Scenic World 2019 Transplanted under the canopy of the glorious Blue Mountains rainforest are a plethora of public artworks that intrigue and captivate the senses — with visual trickery in between. Street art connects Keith Haring and Basquiat with Melbourne Two artists who fought for social justice and democratisation through their art and shaped the 1980s, are coming to Melbourne in an exclusive exhibition. ICYMI: rounding up the week’s arts news From Game of Thrones to REMIX, Notre Dame survives blaze and plans for Melbourne Apple store also in ashes. (Premium content) Premium content Gina Fairley Wednesday 3 April, 2019 The criticism plaguing VR is that while it is great technology the content is dismal. Artists are pushing the form through new commissions at ACMI. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Joel Yawanawa looks at dailies in the cardboard VR viewer. Created by Lynette Wallworth. Photo by Greg Downing. Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.