Cool laneways are not just reserved for Melbourne Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Helpmann Academy 2019 Graduate Exhibition, Adelaide South Australia’s top graduating visual artists are on show at the Helpmann Academy Graduate Exhibition. Asad Raza announced for new Kaldor Public Art Project In its 50th anniversary year, Kaldor Public Art Projects turns to an artist who constructs scenarios between visitors and participants for its next project. Review: Alchemic by Cassils, PICA Two exhibitions at PICA give viewers the opportunity to confront, and to change, societal perceptions of complicit violence, making them active witnesses. Review: The Great Tamer, Perth Festival A riveting piece of theatre that collapses mediums, genres, histories and logic allowing us to dwell, momentarily, in that place between our world and another. (Premium content) Premium content Gina Fairley Wednesday 21 May, 2014 Brisbane’s Vibrant Laneways Art Program has launched three new commissioned artworks this month, from hilarious to engaging. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Detail of Paul Mumme’s Slapstick, commissioned by Brisbane City Council for the Vibrant Laneways Public Art Program. Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.