Zadok Ben-David, Sunny Moon (2008), Sculpture by the Sea, Cottesloe 2018. Photo David Dare Parker
As summer officially calls it a day, March will see Cottesloe Beach swarming with around 200,000 people checking out Sculpture by the Sea, Cottesloe. Make that 200,001 as I was amongst the first day crowd.
Sculptures by the Sea, Cottesloe has yet to disappoint me in all its 14 years. This year 77 artists from 18 countries have worked on 73 pieces. I’m always amazed by the fact that artists can diligently squirrel away on creations for months, not knowing how they’ll be received until they’re unveiled. How scary to put your inner most thoughts out into the world for comment, and to do so not knowing whether all that work will allow you to pay your bills, or just open another can of tuna.
This year 28 WA artists, 15 interstate and 33 international artists took up the challenge. Amongst the works are pieces from leading international artists such as Israeli artist Zadok Ben-David, Chinese artist Zhan Wang, and Danish architect Johan Gjode.
They will sit alongside works by some of WA’s leading sculptors including Tim Burns, Olga Cironis, Elaine Clocherty, Tony Davis, Kevin Draper, Ron Gomboc, Tony Jones OAM, Janine McAullay Bott, Johannes Pannekoek, as well as leading mid-career and emerging artists Sharyn Egan, Jina Lee, April Pine and Tania Spencer.
Danger Dave & Christian Rager, Damien Hirst Looking for Sharks, Sculpture by the Sea, Cottesloe 2018. Photo Martine Perret
The blown-up head of Damien Hirst Looking For Sharks by Danger Dave and Christian Rager is proving to be a front runner for People’s Choice. While Waiting In The Wings by Denise Pepper allows every little boy and girl to be an angle. Sunny Moon by Zadok Ben-David is stunning at sunset and In Rainbows by Duncan Stemler is reminiscent of a glam backyard Hills Hoist.
For full list of exhibiting artists.
Over the years the organisers have added additional elements to the exhibition such as the Artists Talks program and the Alcoa Schools Education Program, which was enjoyed by 2,400 primary and secondary school students last year. At the other end of the age spectrum Amana Living residents and clients get to witness the exhibition with DADAA led guided tours. For Visual Arts students there’s the ECU Hands-on learning initiative where they can gain practical experience.
In addition, last year the Disadvantaged Communities Tour saw 119 people from diverse backgrounds such as Sudanese, Ethiopian, Iraqi, Iranian, Taiwanese, Chinese, Burmese, Singaporean and Malaysian visit the exhibition.
Another great initiative, Beach Access Days, has been made possible by a three year partnership with Lotterywest. On these days special matting allows people with limited mobility or using wheelchairs to get down to the sculptures on the sand. There’s also a free Tactile Tour with experienced guides; Auslan-interpreted Artist Talks and tours for seniors and visitor with dementia. The pieces included in the tour have been nominated by artists and organisers as being safe to touch and in accessible areas.
Accessibility and inclusion has been a focus for programing for the 2018 Sculpture by the Sea, Cottesloe.
'Lotterywest is delighted that we’ve been able to play a part in ensuring all Western Australians – including seniors and those with disabilities – are able to access what has become a calendar highlight for the people of WA,' said Lotterywest CEO, Susan Hunt PSM.
'We are proud to have commenced a three year agreement to support the Access and Inclusion Program and look forward to continuing to work with Sculpture by the Sea well into the future.'
The funding also allows the Access & Inclusion program to continue to provide a large print exhibition catalogue for visitors with low vision to borrow from the Exhibition Catalogue marquees, a temporary accessible toilet and a wide access ramp to Sculpture Inside, a free indoor exhibition of small sculpture.
'We are greatly relieved to receive this funding from Lotterywest without which we could not have afforded to continue to offer these services to people with disability and their carers,' said David Handley AM, Founding Director of Sculpture by the Sea.
'It is such a wonderful program and we would like to thank Lotterywest for its support. In particular I would like to thank everyone who encouraged us to create these programs and to invite people to register for a tour or to visit on the beach wheelchair access days.'
As you wonder around the exhibition it’s good to remember that the artists are responsible for transporting their pieces to the beach. Thankfully the Australian Council provides some funding for this, however they still need your help. This year the sculptures have travelled nearly 320,000 miles to get here and you can help through ‘Buy A Mile’ with a $1 donation that goes directly to help the artists.
Zhan Wang, Floating Rock, Sculpture by the Sea, Cottesloe 2018. Photo Richard Watson
As sometimes happens with art installations, one piece was a late show. I look forward to checking out Floating Rock, a two metre high by four metre wide stainless steel piece by acclaimed Chinese artist Zhan Wang. The piece will be floating in the water giving the iconic Cottesloe Beach pylon a run for its money.
If you do make it down to the beach and enjoy this FREE exhibition please, please, please make sure you throw some money into one of the buckets or ‘Buy A Mile’ to help out the artists.
Rating: 4.5 out of 5
Sculpture by the Sea, Cottesloe (WA)
Visitors can book a Tactile Tour or Auslan-interpreted Artist Talk online at www.sculpturebythesea.com
Beach Access Days run from 10am to 7 pm on March 14 and 15 this year.
First published on
What the stars mean?
- Five stars: Exceptional, unforgettable, a must see
- Four and a half stars: Excellent, definitely worth seeing
- Four stars: Accomplished and engrossing but not the best of its kind
- Three and a half stars: Good, clever, well made, but not brilliant
- Three stars: Solid, enjoyable, but unremarkable or flawed
- Two and half stars: Neither good nor bad, just adequate
- Two stars: Not without its moments, but ultimately unsuccessful
- One star: Awful, to be avoided
- Zero stars: Genuinely dreadful, bad on every level