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In a new industry partnership, Powerhouse Museum is calling for early career musicians to apply for a suite of Fellowships that pairs mentoring with financial support.
Regional Arts Victoria announces grant recipients, Circuz Oz and Melbourne Fringe launch $90,000 program to support contemporary circus, ABC to screen Ben Quilty documentary, plus more news
A tribute to the contemporary realist, Patrick Carroll, who died tragically in a Central Coast fire.
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Whether draining his own blood to use as paint, burning his artwork or painting a gallery white-on-white, Mike Parr has shaped Australian art. We caught up with him about his enigmatic upcoming Carriageworks exhibition.
Albury-Wodonga’s new four-day festival celebrates culture, collaboration and connection across state lines.
A bunch of carrots, sunglasses and even an old railway sleeper, offer a punchy rethink of painting in a new exhibition by Scottish artist Jim Lambie at Roslyn Oxley9 Gallery.
This gutsy and timely exhibition rethinks textile art, but more so demonstrates how our state and regional galleries can work together to national significance.
OzAsia Festival receives SA Tourism award, Sydney Modern Project kicks off with groundbreaking ceremony, major Louise Weaver exhibition unveiled, plus more arts news.
In the wake of Australia's unprecedented bushfires, museums should already be collecting items from the catastrophic events.
When a light festival moves from a hodgepodge of projections to a solo exhibition of illuminated sculptures, is a refreshing re-think of the tourism model.
A powerful subversion of craft as a vehicle for activism and social change.
Drawing from more than 40 collections, the NGV’s exhibition showcases the iconoclastic designer’s work and philosophy.
The most revealing thing about this exhibition is how white Vogue Australia has been for most of its 60 years.
The Museum of Australian Democracy’s new permanent exhibition looks at how we all have a role to play in supporting fair and fearless reporting.
Wisdom on managing an international career, public art bureaucracy and fatigue from one of the world’s most celebrated artists working with light today.
A palpable and political exhibition, Cornelia Parker's eponymous exhibition offers a cautionary tale on hasty commentary, demonstrating that the simple object can speak volumes.
This multi-layered show offers a series of interesting experimentations but leaves the audience with questions unanswered.
Embracing curation as activism, this exhibition invites both artists and viewers to disrupt the ‘master’ narrative of Western art.
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