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Newcastle City Council (Newcastle Art Gallery)
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Showing all Visual Arts news in Features
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
Can we ever call a work finished? Leonardo Da Vinci said no; rather, we just abandon. We speak with artists who decide when an artwork is complete.
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects on a seminal moment in First Nations art history and a new exhibition he has curated to celebrate the landmark event.
How do you get your entry to stand out from the crowd? Jane O’Sullivan surveys the prizes to see how you could increase your chances.
He has been described as "the storyteller", blurring the boundaries of performance, photography and text to explore sexuality and identity in his work. We speak with William Yang ahead of his QAGOMA exhibition.
We speak with five arts organisations that have all reached the middle age milestone, to try and glean the lessons for success in a notoriously impermanent sector.
As galleries moved online in the pandemic some found tools that would bring them to new audiences while others missed the human connection. Jane O’Sullivan looked at how COVID-19 changed galleries forever.
Having both worked in zones of conflict, Gittoes and Cornish speak with ArtsHub about their use of art as a means for social message – and how effective that might be.
A sculptor and a spiritualist are an unlikely pair to have shaped the history of Australian art, both now recognised in major survey exhibitions. ArtsHub speaks with curators on how Clarice Beckett and Margel Hinder did it.
Comic creators have been wrestling with contemporary Australia and its identities in a series of publication coming out this year. What they show is a nation divided by racism and on a collision course with dystopia rather than being ‘one and free’.
Three theatre directors, an author and a visual artist speak of love and intimacy in our current pandemic, and how the arts can maintain connection when we physically can’t.
Is it just a calendar date, or is it opportunity to promote acceptance and diversity via the arts? We speak with Asian Australian artists and arts managers this Lunar New Year.
After closing for a major make-over (and pandemic postponement) the Australian Centre for the Moving Image is re-opening with a fresh approach to its collection and exhibition spaces.
A self proclaimed witch, trailblazing Norton was an under-appreciated cultural touchstone of 20th century Australia, until now, thanks to a new film about her life.
Linda Nochlin’s 1971 essay was a scathing and detailed analysis of how and why white bourgeois men were 'great' while women and people of colour were not.
After two summers that couldn’t be more different – from drought and fires to heavy rain – conversations about the Anthropocene, and artist activism around climate change, are ripe for new resolutions.
New collaborative work at an Aboriginal cave in eastern Victoria shows the stark difference between contemporary archaeological research and that conducted in the 1970s.
Cultural Entrepreneur Emilya Colliver has written a book targeted at developers and corporates, to assist in navigating board room discussion and planning pitches, and to ensure the role of the artist is kept in sight.
What does it mean to make and engage with art when the physical doors are closed? Archie Plus is a an immersive, responsive curatorial project that offers an answer.
‘I’ve learned so much from my mistakes, I’m thinking of making a few more!’
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