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Showing all Museums news in Features
Museum Victoria consulted more than 600 experts to create its new Children's Gallery and 500 of them were kids. Now the children's insights are being used in adult spaces.
In an age where ideas are reduced to 140 characters, culture makers need to reclaim complexity. Democracy may depend on it.
Longevity can seem an elusive concept in the current arts funding climate, so we asked a few established organisations to share their experiences of success.
Robots, Pano-scopes and Sensoriums: technology has changed experience of museum and library collections for the better.
When Facebook likes can make a show and the faint praise of 'interesting' can damn it, curators face a new terrain of influences that are bottom up, rather than top down.
As the world is destabilised by a water crisis, art can play a role in stopping us taking for granted something we can't live without.
'Anywhere art' is now so widespread that the need for purpose-built galleries and theatres is being questioned.
Galleries are under pressure to use sustainable energy but the long term savings and environmental benefits come at a cost.
Erections, snootiness and perverts: we investigate the misconceptions about being a life drawing model.
Health care students are developing their empathy, moral insight and cultural awareness through a program that helps them look at art.
Engaging adolescents in the arts is quite different from - and often more difficult than - family programming. But the rewards for savvy arts organisations are considerable.
Arts managers share the secrets of their resilience in the face of funding cuts and constant uncertainty.
Many parents are taking their kids to the theatre and galleries, often for the first time themselves.
The absence of major performing arts companies at the key regional arts conference indicates a failure to see the vitality outside city limits.
The idea of a single future is as mythical as a unicorn. We need to be ready for a complex world.
Philanthropy is failing to fulfill its promise as a radical disrupter, the National Conference by Philanthropy Australia was told.
Developers need to do more than commission public art, they need to make it work with the city.
Public hospitals across Australia hold significant art collections putting some of our most significant artists to work as remote therapists.
Is the rise of the private museum just a boon for culture or does it make it harder for public institutions to do their job?
ArtsHub speaks with Frances Morris, Director of Tate Modern on managing risk, gender bias, funding constraints and partnerships with Australia.
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