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Showing all Visual Arts news in Features
From playful figures to bathtub performances, artists are using the intense residencies of their past to create unexpected new works in the COVID-19 lockdown.
Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld of art and technology.
The host of ABC TV’s new weekly arts program promises to be much more than just a talking head.
Gill Minervini gives us a sneak peek into what the festival has to offer including a future of more collaboration and less silos.
As the Biennale of Sydney unveils its new curatorium, we look at shifting exhibition models in a post-pandemic rethink, as international travel is limited and trust among peers elevated.
To celebrate International Sculpture Day on 24 April, we revisit this 2018 article that asks whether our education system is failing sculpture.
First Nations artist Hayley Millar Baker foregrounds herself as a storyteller, blurring the formal conventions of photography to construct probing narratives that mine contemporary empathy and language.
The Home of the Arts on the Gold Coast is surprising, to say the least. Its bold, brash façade leads to a slick state-of-the-art interior and cements the precinct as a destination venue.
The centenarian puts his longevity down to a whiskey every night, just getting on with it, and not listening too much to art theory. We talk to him about ageism, the environment, drive and his advice for the next generation of painters.
Spanning Sydney's galleries, The National engages with the conversations we should be having from First Nations narratives to the centring of women artists.
The outgoing Director of Melbourne's newest arts precinct reflects on his time at the organisation, finds himself 'very, very happy' and details the challenges of shaping a new cultural community.
Emma Coulter and Hannah Quinlivan have recently completed major metro art projects. We caught up with them on the realities of red tape, vandalism, compromise, gender and fair pair when it comes to public artworks.
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
Can we ever call a work finished? Leonardo Da Vinci said no; rather, we just abandon. We speak with artists who decide when an artwork is complete.
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects on a seminal moment in First Nations art history and a new exhibition he has curated to celebrate the landmark event.
How do you get your entry to stand out from the crowd? Jane O’Sullivan surveys the prizes to see how you could increase your chances.
He has been described as "the storyteller", blurring the boundaries of performance, photography and text to explore sexuality and identity in his work. We speak with William Yang ahead of his QAGOMA exhibition.
We speak with five arts organisations that have all reached the middle age milestone, to try and glean the lessons for success in a notoriously impermanent sector.
As galleries moved online in the pandemic some found tools that would bring them to new audiences while others missed the human connection. Jane O’Sullivan looked at how COVID-19 changed galleries forever.
Having both worked in zones of conflict, Gittoes and Cornish speak with ArtsHub about their use of art as a means for social message – and how effective that might be.
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