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Showing all Visual Arts news in Features
A new installation at Carriageworks is the next chapter in Grosse’s somewhat unorthodox journey with painting. What drives her and what does she value?
Expanded painting frees us from having to find the timeless essence of painting. Instead it's a changing pact between artist, medium and audience.
As the year draws to a close, we look back on some of the major news stories of 2017.
2017 was big: big empathy, big blockbusters, big harassment, big lobbying and big shifts in the visual arts ecology as a note of resilience kicked in.
What is intrapreneurship and how is it affecting the future of work? A panel of experts explores how organisations can change themselves from the inside out.
REMIX asked a panel of experts to explore what has become of our creative nation, and to posit the steps required to get impending changes right.
So much of our time is spent chasing audiences and funding, and thinking about metrics instead of creativity. It’s time to remember what our core business really is.
The accelerated pace of contemporary life is damaging to the art world and to collaboration between organisations, say visual arts sector representatives.
Art Gallery of South Australia gives Aboriginal barks the spotlight through collaborations with a world-class American Collection and the MCA.
Historically men have dominated the public art domain, but contemporary female artists are shaking up the territory.
From colonial statues and monuments for healing to heavy metal abstractions, a discussion at the Sydney Sculpture Conference questioned public art's role.
By speaking to our emotions, art can inspire ideas for alternate means of living in ways that science cannot.
Art works which embrace neurodiversity can engage audiences in a myriad of enlightening ways.
The arts can be difficult to navigate at the best of times, but what if your particular challenges are invisible? Here's how the sector can pay attention, remove the stigma and better support individuals.
A regional gallery director’s curatorial indulgence opens the door on a national debate, and catches the eye of the Classification Board.
Tamara Winikoff has been at the helm of NAVA, the national peak body for the visual arts, for 22 years. She shares the challenges, the wins, the wisdoms and tips garnered along the way.
Parliament House is more than a location for sitting politicians; it is the meeting place for artists Imants Tillers and Michael Nelson Jagamara, and their story of reconciliation through collaboration.
Queensland Art Gallery’s new hang of Australian art offers the next chapter in the history wars, getting the story finally right from a big institution’s perspective.
If the well-used adage that a picture speaks a thousand words is true, what is the current focus on Indigenous Photography saying?
Australia is littered with monuments to old wars and colonial victors, but where are the monuments to the Frontier Wars and our Indigenous heroes?
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