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Showing all Visual Arts news in Reviews
At the heart of Hughes' work there is a calm, a still point, drawing the viewer into a quiet space on which to mediate.
Making art in the pandemic directly affects the work itself. This exhibition is both history and direct reflection of lived experience, cleverly displayed to reflect the impact on galleries as well.
Anni Doyle Wawrzynczak offers a deep dive into Canberrra's local visual arts landscape, tracking its jostle against big muscle national agendas, and a growth that was clearly artist-led.
This is an incredible, intimate exhibition that is less about war and conflict, and more about empathy and the human spirit. Beautiful photographs and oral histories that surprise in their capacity to share.
Shown where the NGA's International Collection sat traditionally, Australian women artists have usurped the power position with Know My Name - a gesture not lost on many.
Curator Wayne Tunnicliffe finds the trigger points that connect audiences across time in this exhibition, from world conflict, pandemics to climate change – Streeton offers a contemporary lens.
This year's edition of the NSW Visual Arts Emerging Fellowship is a tight and punchy exhibition, with a strong focus on materiality, experimentation and conversations that count.
The Dobell Australian Drawing Biennial continues to be a pint sized power pack that ushers us through new thinking and new narratives for this medium. It's not to be missed.
Same same but different; this pairing of Awards works! Australian Design Centre exhibits the shapeshifters defining contemporary glass and textiles now.
Sabsabi has the capacity to provoke deep questioning of our own racial, religious and political positioning without ostracising the viewer in the process.
At a time when our world reels from climate change, protests and demonstrations over racism, and a pandemic that leaves us isolated, Lindy Lee's survey of 40-years celebrates universal respect and acceptance for all.
An outstanding outdoor painting festival, notable for its unique take on one of the largest movements in art history.
Curated by Patrice Sharkey and Rayleen Forester, this is an ambitious survey exhibition of contemporary arts in South Australia.
Bringing together 22 strong, resilient and determined female voices from around the world, Truth Bomb is a homage to the women artists that have ‘guided and inspired’ the author.
If you can get past the mental roadblock that this is not an exhibition of Van Gogh's paintings but a spectacular digital event, then Van Gogh Alive delivers in spades.
Anita Johnson Larkin has the capacity to transform the autobiographical into the multi-biographic, sharing intimate stories through objects discarded by others, reconfigured into sculptures.
NGA's The Body Electric interrogates the relationship between the female body and the gaze of the camera, writes Cherine Fahd.
The Mini Monograph series celebrates the work of contemporary Australian women artists. Artist Nell is explored in Book 3, and Book 5 showcases artist Emily Kame Kngwarreye.
Although the biennial Melbourne Art Fair, due to open in June this year, has been put on hold because of the coronavirus outbreak, a taste of what is to come now has a virtual iteration.
In a first, Head On Photo Festival went online this year, delivering over 100 virtual exhibitions. So what might that look like as a virtual festival?
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