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Showing all Visual Arts news in Opinions & Analysis
An art exhibition that's the definition of cool, the Banksy show is also an ironic comment on commercialisation in the art market.
Opinions & Analysis
'Massive, unjustified, poorly researched and based on a remote and disconnected economic ideology of unusually destructive force.' That's what the Copyright Agency thinks of the Productivity Commission's draft copyright proposals.
How can artists make a living wage? Mexico’s policy approach might offer a suggestion how.
Indigenous Arts needs its own peak bodies to enable specific outcomes to the Indigenous sector that the mainstream arts cannot deliver.
Have you ever noticed that many TV shows blur or avoid showing art? Here's why it happens and why it's a problem.
If the arts are important to you, how should you vote on Saturday?
The State Government of South Australia makes it a trifecta, as The Cedars lands another hand out just weeks prior to the Federal Election.
A new survey shows that only five per cent of artist publishing their work online receive copyright royalties.
Short term thinking is destroying the arts ecology by stripping it from the grassroots up.
Leaders in the visual arts sector respond to the stripping of organisational funding in a joint statement.
Inconsistent decision-making has raised concerns within the Visual Arts sector that the Australia Council’s revised selection process is negligent.
Over recent decades, Australian craft has felt underappreciated by the general arts establishment. Drawing on its advocacy experience, NAVA will create new resources for the overlooked industry.
The numbers show that we need to find better systems for reading museum attendance and engagement.
There is an argument brewing that the pendulum has swung too far in the creation of arty merchandise in our gallery shops.
The basic art for the new Australian five dollar note, to be released in September, is creating controversy.
In every generation, the work has to start anew as gender inequality in the arts is once more recognised, resisted and challenged.
Artist-run collectives count, but they’re facing death by a thousand cuts.
Arts organisations need to adjust their thinking to engage a booming population with time and energy to live a rich, extended middle age.
The US market is booming with the highest ever level of sales but China's decline has punctured the global art market.
A generation after universities swallowed art schools, the profile of students and of career entry has changed dramatically.
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