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The government seems to offer more money to the sector. Look again, suckers.
In 2018 we see Sydney Dance Company’s 23 graduates in this thrilling program, which was an exciting mix of five short works.
War and zombies combine in this gory yet grounded horror effort from Australian director Julius Avery.
The end of the year can bring mixed feelings for many people working across the arts. Madeleine Dore delves into why, and asks creatives about their own experiences and how they deal with end of year blues, overwhelm and fatigue.
A contemporary take on a very old tradition speak both of legacies and a very energised and personalised future.
A year in as Country Director, ArtsHub speaks with British Council’s Helen Salmon about this year’s wins, and a more understanding future through greater cultural collaboration in 2019.
ArtsHub makes it easy for you to plot your summer art viewing with this state-by-state list of blockbusters and big impact exhibitions.
The decision by Hobart's The Mercury to axe all theatre, dance, and music criticism in its pages has alarmed the city's arts sector.
The path forward for Queensland’s arts and cultural sector over the next 10 years and beyond is now open for discussion, says Minister for the Arts Leeanne Enoch.
Opinions & Analysis
Diana Carroll takes a look at the bookshops to see what’s new for the art lover in your life.
Mark Gatiss deserves all the praise for his role as King George III.
A Christmas set zombie-musical-comedy with joy and bite.
Some children see the summer break from school as an opportunity to learn in an area they are passionate about. Ava and Stormie have been attending summer creative performance programs for years. Play-based learning and the dedicated tutors are among the reasons they keep returning.
New residencies, new developments, new program announcements and other arts news you may have missed.
Changes at the helm for West Space, Sydney Film School, Bendigo Art Gallery, Royal Academy of Dance, National Museum, and more.
With an engrossing story, shrewd female perspectives, complex shed debrief and some excellent physical comedy, including moustache work, The Club is great fun to watch, even if football shits you.
Netflix has given new life to Orson Welles's unfinished film and Adrian Martin finds it fascinating.
Relentlessly entertaining and packed with jokes, this plays to animation's strengths while retaining Spidey's iconic teen angst.
Ayres teaches us the transcendental power of music, Afghanistan’s fighting spirit and the peaks and valleys of the Middle East.
The $15,000 2019 Bayside Acquisitive Art Prize is calling for entries, and creates a national conversation around new definitions of painting.
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