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Showing all news in Features
In 1956, ASIO spy footage captured close ups of beloved Australian actors in the first-ever demonstration for Australian TV content. Can you tell us who they were?
David Lyle seemed to live outside time and space, forever young, rocketing around the world, unconfined by convention but innately decent.
From robots and long-distance rehearsals, to new models of collaboration and company structures, technology will change all our lives.
Will the relocation of Ten Days on the Island and Mona Foma away from Hobart help heal Tasmania’s long-standing north-south divide?
Cinematographer Joel Peterson died on the 10th of August 2017 at the age of 63. Tom Zubrycki celebrated his life at an OzDox event, which also illuminated the changing role of the camera in documentary.
Gillian Armstrong gave a rousing and insightful speech on Monday at the Sydney launch of the Make it Australian campaign. Here it is.
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society.
After almost six years as Artistic Director of Opera Queensland, Lindy Hume shares her experiences of running the AMPAG company with ArtsHub.
Parliamentary fun as the government enacts historic changes to deregulate media ownership.
Australians displays a consistently miserly approach to public art, with typically miniscule budgets requiring artists to respond with agility to find practical ways of achieving their vision.
Arriflex turns a hundred and unveils a huge collection of wonderful interviews with cinematographers.
As news of Cris Jones' unexpected death spreads, his colleagues face the reality of the loss.
Audience members get to vote in courtroom dramas which pit our need for entertainment against a range of contemporary legal dilemmas.
The key to success is simple - the right budget to match possible returns. Antony I. Ginnane wonders where that gets you.
In the age of the globalisation of everything – and the privatisation of everything else – libraries can and must change.
Arts organisations committed to long-term cultural engagement with the Asia-Pacific have transformed Brisbane; Bjelke-Petersen would barely recognise his old fiefdom.
Open access festivals like Sydney Fringe and Melbourne Fringe provide a snapshot of the current cultural zeitgeist.
Revealing the centrepiece of your program months in advance has become a common tactic, but what value do such announcements serve?
The 31 year creative partnership between Susie Dee and Patricia Cornelius shows no signs of slowing down.
US ticket sales are the worst in 25 years. There is thunder in the mountains but no agreement on the storm to come.
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