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Dance works which evoke trance and ritual appear to be enjoying a resurgence. Are they a response to our technologically-mediated world?
'The body' in queer art is still a transgressive force when it comes to challenging audiences, whether it be at festivals or in gallery spaces.
The measure for success is growth – but why? And what happens when arts organisations reject the 'bigger is always better' narrative?
Instagram offers visitors authority and agency in sharing their experience, a trend which galleries are keen to tap into.
By blocking out the outside world, audience members are encouraged to become more contemplative, whether engaging with actors or themselves.
ArtsHub sat down this week with NSW Minister for the Arts Don Harwin in a checklist conversation that tackled funding, priorities and vision.
In this extract from the latest Platform Paper, Polyglot Artistic Director/co-CEO Sue Giles reflects on the ways that listening to and working with young people might help adults shift their thinking.
Bangarra's youth outreach program Rekindling returns in 2018, encouraging Indigenous and Torres Strait Islander students to explore culture and relationships through dance.
‘We don’t feel disadvantaged being in the regions. In fact, we see this as an opportunity,' says former Four Winds Chair Sheena Boughen.
Mapping the brain reveals that creative people are better able to co-activate brain networks that usually work separately.
To change or keep as is? A director, a playwright, a live artist and a choreographer reflect on revisiting and remaking existing works.
A new verbatim play seeks to tell the untold stories of women who cared for men living with HIV/AIDS in the 1980s and '90s.
Continued and concerted efforts to tackle the issue of gender inequality in the music industry are required.
To grow the arts outside the major capital cities, we need to grow the community’s capacity to support and sustain artists.
They used to be quiet spaces; now they are the quiet achievers. We can all learn from libraries' successes in recalibrating for 21st century audiences.
Associated programming is a way to connect aspiring creatives with the wider theatre community.
Healthier work habits are needed in the theatre so that actors can leave roles behind them and avoid emotional hangovers once they're offstage.
Tired of big budget, big tech talk when it comes to innovation? Then start with old fashioned talking: it's proving the best cut-through for future-proofing organisations.
A new installation at Carriageworks is the next chapter in Grosse’s somewhat unorthodox journey with painting. What drives her and what does she value?
Programming any new work can be a risk, given that it’s harder to market and sell the unknown. But regional audiences are embracing new Australian stories with gusto.
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