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Showing all news in Opinions & Analysis
Skillful art may be just what science needs to polish its image.
Opinions & Analysis
A flagship theatre company can transform a city’s view of its place in the world, prompting conversations on issues of local significance.
What is the state of arts giving in Australia, and can more be done to foster arts philanthropy?
Career funds and fellowships aimed at mid-career artists acknowledge that the need for support doesn't end when you hit thirty.
Discounting fills houses but it can come at a price in future sales and audience perceptions.
Touching, ferocious and poetic, the Miles Franklin shortlist is worthy of your attention.
VIDEO: Leaders in arts and disabilities open up about mental health challenges and how the sector can handle them better.
Self-made YouTube vlogs are creating a revolution in the control and distribution of entertainment.
Each gold medal at the Olympics costs taxpayers approximately A$12M; how does that compare to Australia's expenditure on culture?
In this video discussion from Arts Access Australia’s Meeting Place 2016, panellists discuss advocacy in the arts and disability sector.
'Massive, unjustified, poorly researched and based on a remote and disconnected economic ideology of unusually destructive force.' That's what the Copyright Agency thinks of the Productivity Commission's draft copyright proposals.
Open rehearsals are not just an audience development strategy. They change public understanding of how art is made.
The 2016 Census will fail to record the work of the majority of artists who are not working full time on their creative pursuits.
You are no less an artist if you have a day job that doesn't require you to live on cheap vodka and ramen.
Veteran actor Keith Robinson returns to the stage after a ten year recovery from a severely disabling variant of Guillain-Barre Syndrome.
Excellence sounds like a motherhood concept but it is actually a code word for a narrow conservative agenda.
The arts needs to stop trying to justify itself in economic terms and embrace the real public value it delivers.
Struggle is the essence of drama proposes playwright Michael Gow in his keynote address at the National Play Festival 2016.
It's no coincidence cuts are directed at arts, education and science, where strong voices are not compliant with Government ideology.
How can artists make a living wage? Mexico’s policy approach might offer a suggestion how.
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