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Showing all news in Opinions & Analysis
As international art freight has become more difficult in a COVID and climate concerned world, major local exhibitions are the new blockbusters – thinking long overdue.
Opinions & Analysis
Still struggling to be self-supporting after a decade, Australia’s Resale Royalties Scheme continues to be perceived as skewed and behoven to the whim of disclosure.
Simon Hinton, Artistic Director/CEO of Merrigong Theatre Company, concludes his celebration of our theatre champions.
Reading for pleasure has been re-discovered by many during lockdown and children’s author Jane Godwin believes we should find ways to keep the habit to build a sense of empathy and hope in children.
Humanities and the creative arts have been identified as foundational for our workforces of the future - so why kill them with fees?
Simon Hinton, Artistic Director/CEO of Merrigong Theatre Company, continues his celebration of our theatre champions.
What does 'normal' look like in a post-COVID environment? We asked four curators to gaze into their crystal balls and offer their views on where the visual arts sector might be in 12 months’ time.
To really change the arts, we need to change arts leadership. Travis de Vries thinks we should make bigger systemic changes.
Simon Hinton, Artistic Director/CEO of Merrigong Theatre Company, has written a love letter to the theatre industry celebrating our arts champions.
When the NZ Doc Edge conference was stopped by COVID-19, the Industry Manager added one line to his email address: Sod you coronavirus, we're going digital!
While it is much-needed money, views are divided over the Federal Government’s arts relief package.
The recent fee increases for university humanities degrees will have knock-on effect for the arts. Fleur Kilpatrick argues that now is the time to show pride in arts degrees and where they could take you.
What can a First Nations-led recovery look like? BlakDance is looking at a process of 're-futuring' based on concepts of consultation and new conversations.
The misery of being exploited by capitalists is nothing compared to the misery of not being exploited at all.
Research shows that numbers drop off when museum entry is imposed, but are there ways around it to bolster revenue?
How can art maintain its value as it becomes increasingly commodified? Frances An explores why public funding is still essential.
One of the four regulatory approaches to television content is a new Australian Production Fund. Here is an argument in favour.
As a trend sweeps the world, from the US to London, Brussels, Edinburgh and beyond, we ask what Australia’s colonialist sculptures mean at this juncture, and whether there is need for their removal.
In construction for every million dollars invested you get between 0.9-1.3 jobs. In the arts sector, you get 9 jobs. So why is the government not supporting the arts sector, asks APRA CEO Dean Ormston?
Given the demonstrated potential of the arts to enhance community resilience, comprehensive support for the sector only makes sense.
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