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Showing all news in Opinions & Analysis
An Indigenous Festival director is using the psychology of hope to reframe cultural exchange.
Opinions & Analysis
Are we past the gender pigeonhole? Women artists are divided as to whether the adjective is helping or hindering their careers.
Once more unto the breeches: a feminist mounts a defence of romance fiction, renovated for the 21st century.
A great festival success deserves stability. Instead Wangaratta Jazz has lost both triennial funding and visionary leadership.
The assumptions that makes amateur theatre an old joke are really a power play that creates a fall guy for culturally privileged professionals.
A recent report showed that Australia was at the bottom of the list when it came to business-university collaboration. The arts is turning that around.
Sure it's iconic. But there is a reason we complain about acoustics and argue over rennovation of the Sydney Opera House.
We need to rethink our physical spaces to create meaningful live experiences for the constantly connected generation.
As a creative outlet, blogging can motivate you but probably won't make you money - though it can lead to a book deal.
A creative arts organisation needs to be prepared to innovate in administration and structure as well as in creative product.
Not crediting artists' images online is an ongoing problem, from the top down.
The Trump administration's proposal to remove US arts funding is the battle cry for another round of culture wars, familiar to the Australian and UK arts industries.
Literature and film have shifted from demonising transgender people to attempts to understand them and represent them positively.
Pioneering change maker Screen NSW has been dissolved into Create NSW to be and subsumed under the new minister. Is this the end of hope?
Election campaigns are often obsessed with infrastructure. Investing in a creative society is cheaper and just as important.
Trump’s opponents see his lavish taste as evidence of despotic tendencies but perhaps like Louis XIV he will use luxury to support a national economy.
In 2016, the most commercially successful music in the world wasn’t Beyoncé, Britney or Bieber. It was arguably more problematic.
Perhaps you’re not ready to have the intersectionality conversation with your Trump-supporting uncle. But you could share a theatre that bridges the gap.
Australia has public holidays for agricultural shows, football finals and a horse race. Why don't the arts have a public day of celebration?
As "festivalisation" takes over our cities, one thing is increasingly left off the programing list – and that is the visual arts.
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