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As university faculties are under the pinch nationally, philanthropy has allowed a future ready 21st century museum to lead, by placing embedded education at the heart of contemporary considerations and cross-discipline narratives.
Using headset technology for the past decade, experimental media artist Jane Gauntlett shares her journey on fusing performance with technology to create n intimate experience about living with disability.
In 2018, the art fair Sydney Contemporary was the setting for a debate on ‘gender discounting’ and fair pair in the art market. Celebrating 20 years of ArtsHub, we look at how this conversation has progressed.
The corporate art collection may have changed since the ‘greed is good’ days but it still has an important role to play in terms of branding and wellbeing.
First published in 2015, it would seem we have not yet learnt to manage workloads and expectations – we're still burning out. Celebrating 20 years of ArtsHub, we look back at this conversation and how it has shaped our sector.
Avoiding the 'ghost gallery' trap when fundraising in a recession is tough. ArtsHub speaks with Megan Monte about getting the vision and support foundations right, for the soon-to-be built Southern Highlands Regional Gallery.
Perth already has a museum of Indigenous art and culture. With proper funding, it could be our national centre, joining the race against existing contenders in the NT and SA.
In the future, generations will need the means to understand how the coronavirus pandemic affected our world, so while museums are losing millions every week, they are committed to preserving coronavirus artefacts.
With a top drawer international career for over a decade, Sophie O’Brien takes on the position as Bundanon Trust’s Head of Curatorial and Learning. What does that perspective offer this historic site as it prepares for its future?
To celebrate 20 years of ArtsHub we look back at this 2018 article about artist activism and the role the arts play in social change.
The announcement of Walker’s directorship at Art Gallery of WA was slow in coming, but with it are a raft of questions about his vision for engagement, business philosophy, curatorial structure and unexpected thinking for 'a standstone'.
Arts and science can make strange bedfellows but they could be the perfect combination to spread the message of a carbon neutral future. A new project in New Zealand is making that connection for the future.
With 15 years in the job, ArtsHub spoke with Jim Cathcart on shaping an organisation’s unique character, finding financial sustainability, and knowing when to go.
Making up 80% of public museums, many not-for-profit volunteer-run spaces won’t survive the pandemic, which will erode cultural life in communities unless their value is recognised and supported.
From the way public institutions acquire, to the value placed on Australian artists, and skewed funding streams that favour institutions, Brisbane gallerist Andrew Baker raises some hard truths about the visual arts sector.
As violence – and the silence around it – spikes during COVID, a new project uses craftivism to give voice to women and non-binary people, created by Queen Victoria Women's Centre's inaugural Feminist in Residence.
Anniversaries are moments for great celebration – especially when an arts company survives into the double digits – but the pandemic has forced doors closed, and new ways of marking the milestones.
ArtsHub speaks with three art dealers across three states, who are all facing the reality of a pandemic art market, and its impact on artists.
On the event of the 37th NATSIAA, the benchmark for contemporary practice, we take a look at five finalists and the work they have made in response to our times and global concerns.
After three years as Executive Director, Esther Anatolitis is moving on from the National Association of the Visual Arts (NAVA). Here she reflects on challenges, triumphs and the opportunity for new thinking.
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