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What does it mean to make and engage with art when the physical doors are closed? Archie Plus is a an immersive, responsive curatorial project that offers an answer.
‘I’ve learned so much from my mistakes, I’m thinking of making a few more!’
Five objects, some displayed in WA Museum's Boola Bardip’s Treasures Gallery that opened this week, reveal how they can provide us with insights into history, values, emotions and power.
Our online conference will make sense of 2020 and think through the arts as an essential part of the ‘new normal’. With guests from across Australia we look at funding, culturally safe spaces, and digital as a way to expand access.
A recently unveiled memorial in north London to the feminist writer Mary Wollstonecraft has been met with much criticism.
Sending a strong signal, the National Gallery of Australia turned over its annual lecture to a panel of First Nations Women to debunk white structures of feminism. This is what they had to say.
Peak orgs are the glue holding a broken sector together and offer advocacy and initiatives for change as we emerge into the world post-COVID.
Agency has emerged out of an identified need expressed by cultural leaders, which resonates with Government priorities, academic research and the voice of innovative philanthropists who care deeply about Indigenous people, art and Country.
A peace sign from Martin Luther King, Jr. becomes a rude gesture; dolphins swim in Venice’s Grand Canal; and crocodiles roam the streets of flooded Townsville – all manipulated images posted as truth.
Vital steps need to be taken to avoid another Juukan Gorge in a state heavily reliant on mining, by adding more Indigenous places to the National Heritage List.
We asked the prolific Australian director and photographer about his two weeks alone in a room with a camera, his presence on Instagram and the upcoming feature film Penguin Bloom.
Have you ever viewed a sculpture 40 feet underwater? Or taken a peek into the bedrooms of Russia's aristocracy? Australia’s niche museums look into obscure interests and personal passions.
Should museums be made to give back their marbles? Must Rhodes fall? In her book The Whole Picture, Alice Proctor writes: ‘All art is political.'
Working with 87 artists during the pandemic and remote lockdowns, Tarnanthi continues to be innovative, and in a first, throws the spotlight on the work of women Aboriginal artists.
The 2020 Bankstown Biennale is more than a COVID project. It's an artist-led rethinking of Western Sydney, and the value of the local in global conversations.
Australia’s writing community was shocked to hear of the death of Dr Ania Walwicz, writer, poet, performer and teacher, who passed away on 29 September.
Despite Melbourne still in lockdown, the NGV is set to launch its second Triennial in December with over $10M in collection commissions, and a global dialogue intended to connect – in times of disconnection.
Rejecting silo-thinking across art and craft disciplines, and dispelling the myths of waning support, Sydney College of the Arts is future ready and set to lead in Australia as a cross-disciplinary art school.
As university faculties are under the pinch nationally, philanthropy has allowed a future ready 21st century museum to lead, by placing embedded education at the heart of contemporary considerations and cross-discipline narratives.
Using headset technology for the past decade, experimental media artist Jane Gauntlett shares her journey on fusing performance with technology to create n intimate experience about living with disability.
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