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Showing all Visual Arts news in Features
Part of shifting the philanthropy landscape in Australia, is shifting perceptions. We take a look at a recent report that confirms giving is on the rise, but so is competition with the broader not-for-profit sector.
A new benchmark for storytelling finds a fresh balance between multiple voices, where both analogue and tech-driven viewing experiences aim for the authentic, rather than an authoritative tone.
Transformation and conversation unites Perth Festival's visual arts program, as curator Gemma Weston takes the reins to further strengthen the role of the visual arts in festival programming.
Australian craft and design centres are tired of falling between the conversation cracks; they have rebooted their network for greater visibility and value within a broader arts sector that is increasingly more dynamic.
Curator of the Adelaide Biennale, Leigh Robb gives us a sneak peek into her exhibition, where the artists drag our contemporary monsters over the coals.
The National Gallery of Australia has rehung its early Australian galleries, drawing on a broad curatorium to recontextualise our art history – and it’s not alone in the trend.
After almost ten years at the helm of Canberra Museum and Art Gallery, Shane Breynard is stepping into a new career.
The recent reimagining of two iconic murals painted in Melbourne in the 1980s and eventually defaced, signifies the importance of their messages both then and now.
There are three main factors to consider when thinking about the impact of bushfires on your personal treasures – smoke, heat, and water.
We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2019.
One of the healthiest ways of supporting contemporary art practice might be placing it beyond our shores – and then remembering to give it a nod.
As the demand for accessible tours increases, museums are adapting by developing multi-sensory aesthetic experiences.
Advice from business leaders on asking governments for money, embedding culture in the political agenda, and getting the language right when you come to the table.
Film prop maker, Hannah Crosby busts some of the myths about making artwork for the silver screen.
For ten years a program has supported over a hundred Indigenous curators and artists in a collaboration between the National Gallery of Australia and Wesfarmers.
Whether draining his own blood to use as paint, burning his artwork or painting a gallery white-on-white, Mike Parr has shaped Australian art. We caught up with him about his enigmatic upcoming Carriageworks exhibition.
On the cusp of its second iteration, we look at how this art event is busting open 'outpost syndrome' by commissioning international artists to focus on local histories.
Like protest or activist art, placards convey a political message to large audiences at protests and relayed through media to the world. But are they art?
The supported studio model is one way of tackling some of the barriers artists with disabilities face in pursuing their goals.
Speaking out about sexual harassment and assault in the arts sector can be frightening. Here, three women describe the personal and professional impact of calling it out.
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