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Showing all news in Opinions & Analysis
Gallerist Michael Reid takes a look at art world trends and habit-breaking during times of crisis, and how they will change the art market forever.
Opinions & Analysis
The Aboriginal Art Association of Australia speaks up for a sector facing decimation, as borders are closed, gallery sales come to a halt and artists are shut out of arts centres with many incapable of taking on Centerlink.
Eight years on, the Kapoor looting case that implicated museums globally, including the National Gallery, is still delaying the return of stolen objects to their communities and collections.
Despite all Arts Ministers meeting yesterday, Queensland has been the only state to step up with a stimulus package in the awake of Coronavirus' decimation of the sector.
Measures to control the spread of coronavirus through government restrictions on travel and large social events are already having a dramatic impact on the international art market.
How do you get your head around Captain Cook in the 21st century? We asked five curators how they've retold the familiar narrative in this 250th anniversary year.
Within an arts organisation you are only as valuable as you are flexible and obedient.
A community-focused approach to the arts in Singapore, coupled with unrest in Hong Kong, is shifting the focus of the arts world in our region – which has lasting ramifications for Australia.
Is the recent Hosier Lane attack vandalism or street art? You told us that it ranged from 'exactly what was required' to 'completely ephemeral'.
Artist Andrew Bairn tells hist story of knocking on the doors of the artistic establishment based on an extract from We Are Here: Stories of Home, Place & Belonging, which featured stories from people who've experienced homelessness.
Danish/Icelandic artist Olafur Eliasson offers views on climate action, self-confidence in criticism, the eroding value of culture, and why artists need to act.
Who's hot in 2020? We asked eight curators to name the visual artists who are on their radar for the year ahead.
Keith Haring was a gay man and AIDS activist whose art reflected his life and passion. So why has this aspect of his work seemingly been deliberately excised from a current NGV exhibition?
While Australia fights to save its cultural assets after bushfires, the USA threatens to destroy cultural sites across Iran.
With the release of new guidelines for ethics for artists at the Queensland Art Gallery and Gallery of Modern Art, Richard Moore believes this has the potential to censor artists, as much as their art.
A decade in, the Resale Royalty Scheme faces a review to ascertain whether it is on track, and indeed doing enough for visual artists.
Artists are tired of the constant ask to donate their work, under the guise it bolsters their careers. Gallerist Michael Reid looks at the pitfalls of donations and how to do it without damaging artists.
From switching off our phones, to exposing non-paid artist fees, the burden of activism and how to be a better ally for diversity – these are the stories that captured your interest in 2019.
Responding to a recent review, Cementa19 make the point, that like all good art, a festival should make you uncomfortable, awkward, challenged, and aware of the social reality in which you play.
If a sustainable arts practice were a meal what ingredients would it need? Dancer and choreographer Alison Plevey thinks arts practice can be a hearty lasagne, a rich comfort food that keeps you going.
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