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Showing all news in Opinions & Analysis
For Archibald Prize finalist Amani Haydar the road to an art career curved around family expectations and an Arab upbringing.
Opinions & Analysis
Bad politics inspires great art. Street artist Peter Drew needed to tell the world ‘Real Australians say welcome’ and here’s how he began that campaign.
From cutting edge performance to timeless Aboriginal art, here are ArtsHub’s picks from the Darwin Festival program.
Why Australia's space race is caught in nostalgia, when we should be asking if it’s responsible to glorify space advancement at the cost of society, and how artists are shifting that conversation.
With the ageing of many senior figures in the cultural sector, Michael Reid makes a case for succession planning for galleries using his own experience as a case study.
ArtsHub speaks with six curators on the merits of painting gallery walls to heighten audience engagement, build narrative or just make the artworks pop.
Are Australian galleries feeling the pressure to sign a starchitect in the global building boom, or are they responding to the real and present need of a rapidly expanding cultural economy?
Indigenous professionals discuss what First Nations leadership looks like, and why it might offer a more viable model for bringing authority to an Indigenous-led centre.
From mentorship to resilience, patience and power, Gen X women have learnt to navigate our male-dominated world for change – and Gen Y are listening.
A 13 times finalist, a first time finalist and a regional finalist in this year’s Archibald Prize help answer the question: does being a finalist boost one's career or is the benefit just a myth?
No it’s not a leak … but ArtsHub has run the research, and these are our predictions for this year's prizes.
We have until 10 May to say what’s needed in the Australia Council's next Strategic Plan so let's embolden them.
Artists remind us to remember the whole Australian story of conflict this Anzac Day through Aboriginal perspectives.
A recent Parliamentary Inquiry into Canberra’s national institutions made 20 recommendations. What were they, and were they warranted?
A week on, and the tributes are still flooding in for former director of AGNSW, Edmund Capon, demonstrating the impact our cultural leaders can have on society.
Walt Secord outlines what Labor has in mind for the arts – including keeping the Powerhouse Museum where it is, and a new institution for Parramatta.
Minister Harwin outlines his party's wins for the arts during their time in government, and presents his plan for the future if re-elected as NSW Arts Minister.
Coinciding with a national call out for greater artistic courage, NAVA also responds to continued political interference in arts decisions as the NSW election approaches.
Approached as a considered, curated component rather than as hastily-considered add-ons, Perth Festival offers a fresh model for the visual arts' contribution to the festival market.
First Nations artists and arts workers offer advice on how to embrace the International Year of Indigenous Languages.
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