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Showing all Museums news in Opinions & Analysis
From digital pivots, to government funding (or lack there of), to conversations and resilience – we take a look at the year that was as COVID took its toll on the arts and culture sector.
Opinions & Analysis
We asked ten of our major collecting institutions nationally what they acquired in 2020, as a document of this incredible year and its impact on the visual arts.
This week, as part of our 20x20 series celebrating 20 years of ArtsHub, we revisit the state of art criticism, and ask have things worsened or is there hope yet for diverse Australian criticism?
As international art freight has become more difficult in a COVID and climate concerned world, major local exhibitions are the new blockbusters – thinking long overdue.
Research shows that numbers drop off when museum entry is imposed, but are there ways around it to bolster revenue?
As a trend sweeps the world, from the US to London, Brussels, Edinburgh and beyond, we ask what Australia’s colonialist sculptures mean at this juncture, and whether there is need for their removal.
Parramatta Lord Mayor makes plea: 'Don't turn your back on us', while the National Trust is disappointed as Powerhouse Museum relocation comes under scrutiny and NSW Premier scrambles for cash for COVID stimulus fund.
NSW Premier Gladys Berejiklian recently took over the portfolio of Arts Minister with the resignation of Don Harwin, but does she have the focus the arts needs right now?
With COVID-19 closures, visibility for arts organisations is more important than ever to maintain audiences, and grow new support.
In just 12 months, the NGA has absorbed the largest intake of new positions and a rethink of staff funding since the gallery opened.
Now is when we most need data from arts organisations in order to better lobby our governments and present a clear case for support.
Eight years on, the Kapoor looting case that implicated museums globally, including the National Gallery, is still delaying the return of stolen objects to their communities and collections.
Responding to a recent review, Cementa19 make the point, that like all good art, a festival should make you uncomfortable, awkward, challenged, and aware of the social reality in which you play.
If a sustainable arts practice were a meal what ingredients would it need? Dancer and choreographer Alison Plevey thinks arts practice can be a hearty lasagne, a rich comfort food that keeps you going.
The fourth edition of the biennial regional festival Cementa has just wrapped up, but for a post-industrial town the event misses its context and struggles to include residents.
In the wake of Australia's unprecedented bushfires, museums should already be collecting items from the catastrophic events.
In a world of political polarisation, environmental emergency and inequality, can museums become centres that improve mental health? Tony Butler believes they can.
Addressing the climate emergency and improving relationships with Indigenous Australians and Pacific Islanders means building people-to-people exchange, according to our new British High Commissioner.
From VR to porcelain echidna quills, Linear is a fresh reframing of line and lineage in Aboriginal culture and design, opening at Powerhouse Museum.
With announcement of the retirement of Brendan Nelson as Director of the AWM, several names have been in the mix (including former PM Tony Abbott), but Paul Daley believes the institution needs a more fundamental re-think.
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