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Showing all news in Reviews
The fantastical meets the factual in these images and video stills created by medical research scientists from the Walter and Eliza Hall Institute.
Spanning two levels of the Ian Potter Gallery, Melbourne University, this exhibition explores the relationship between unionism and the arts in Australia.
Traditional or unconventional, these drawings in Australia’s pre-eminent prize contain the art of conception and the craft of execution.
These two powerful exhibitions, Karrabing Film Collective's The Mermaids: Mirror Worlds and Haegue Yang's Triple Vita Nestings, are now on display at the Institute Of Modern Art in Brisbane.
Contemporary art shines in Far North Queensland.
This is an exhibition worthy of the serious curatorial lens it has been given, and speaks of the richness of university collections.
Albert holds a mirror up to our own collective memory and places it in scrutiny – asking: how visible is our racist past to our present?
An eclectic exhibition that offers a different take on stop-film animation, drawing and woodblock prints.
This drawing biennial is a considered and erudite take on the medium today.
You might not know it, but you must have had a Featherston in your life at some point, as this career survey proves in an exhibition as stylish as its subjects.
Daniel Buren uses steroid-sized children's building blocks to speak about our relationship with the world.
A measured and beautiful exhibition that looks at how Indigenous artists use their bodies to explore narratives and culture through objects.
This exhibition communicates a sense of otherness that is very ugly and brutal, but sadly the experience of many Australian Muslim artists.
Hobart’s renowned winter festival encourages punters to take risks, and rewards visitors with fascinating arts experiences.
MoMA at NGV is a rich, dazzling and profoundly visually exciting exhibition - the grandest in fifteen years of the Melbourne Winter Masterpieces series.
Tony Albert’s politically charged kitsch collection confronts our racist past.
What is a crowd? This is the question artist Baden Pailthorpe posed for himself as he worked with AFL player and crowd data to develop his current solo exhibition at UTS Gallery – Clanger.
The power of this exhibition lies not just in the strength of the art works or fine curation but in the legacy of history.
This exhibition, currently showing at the Ian Potter Gallery, is testament to an artist that continues to resist the ready categorisation of his work.
An important exhibition that draws upon little known yet epic encounters, intersections and histories that have surprising resonances for Australians.
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