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Showing all Visual Arts news in Reviews
Speculations on the future, and our complicity in it, are at the heart of these four exhibitions feature at Adelaide Festival 2021.
Australia’s first major international exhibition since border closures began, Botticelli to Van Gogh is impressive.
Take a stroll through the sunlight and shadows with the works of Clarice Beckett.
A Forest of Hooks and Nails is a joyous exhibition about the art of hanging art, writes Ted Snell.
Relating to the autonomy of scientific and religious realms, this exhibition presents myriad forms of encounter with the world and contemporary art.
These two exhibitions now on at Contemporary Art From the Margins cuts through stereotypes.
An intriguing theme and an ideally suited venue produce an often provocative exhibition.
A wonderful and immersive experience, the Triennial takes the visitor on a long and circuitous journey through time and space.
Solid conceptual framing, but does it get lost in festival fever? Artspace focuses on First Nations conversations for Sydney Festival with a curious pairing.
Wendy Sharpe’s exhibition possesses an undeniable, animal vibrancy, giving breath to shared anxieties, frustrations and ennui.
At a time when many of our art schools nationally face perilous cuts and closures, this exhibition curated by Daniel Mudie Cunningham couldn’t be more timely.
At the heart of Hughes' work there is a calm, a still point, drawing the viewer into a quiet space on which to mediate.
Making art in the pandemic directly affects the work itself. This exhibition is both history and direct reflection of lived experience, cleverly displayed to reflect the impact on galleries as well.
Anni Doyle Wawrzynczak offers a deep dive into Canberrra's local visual arts landscape, tracking its jostle against big muscle national agendas, and a growth that was clearly artist-led.
This is an incredible, intimate exhibition that is less about war and conflict, and more about empathy and the human spirit. Beautiful photographs and oral histories that surprise in their capacity to share.
Shown where the NGA's International Collection sat traditionally, Australian women artists have usurped the power position with Know My Name - a gesture not lost on many.
Curator Wayne Tunnicliffe finds the trigger points that connect audiences across time in this exhibition, from world conflict, pandemics to climate change – Streeton offers a contemporary lens.
This year's edition of the NSW Visual Arts Emerging Fellowship is a tight and punchy exhibition, with a strong focus on materiality, experimentation and conversations that count.
The Dobell Australian Drawing Biennial continues to be a pint sized power pack that ushers us through new thinking and new narratives for this medium. It's not to be missed.
Same same but different; this pairing of Awards works! Australian Design Centre exhibits the shapeshifters defining contemporary glass and textiles now.
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