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Showing all Visual Arts news in Reviews
The Mini Monograph series celebrates the work of contemporary Australian women artists. Artist Nell is explored in Book 3, and Book 5 showcases artist Emily Kame Kngwarreye.
Although the biennial Melbourne Art Fair, due to open in June this year, has been put on hold because of the coronavirus outbreak, a taste of what is to come now has a virtual iteration.
In a first, Head On Photo Festival went online this year, delivering over 100 virtual exhibitions. So what might that look like as a virtual festival?
Marking Time presents a multifaceted digital exhibition that explores a diverse range of Indigenous artworks from the NGV collection.
Was it the First Nations biennale we needed? We take a look at how this exhibition forces viewers to navigate our contemporary world in unexpected ways, with the pummel of yesteryear politics.
A parade celebrating famously subversive art becomes a parody of subversion.
This is a brave exhibition on many levels. It feels like a slow dance between veiled narratives and the raw and revealed – a chance to navigate the monsters of our contemporary stages, and if lucky, find empathy through the journey.
An electrifying solo exhibition by Walmajarri artist John Prince Siddon, All Mixed Up lives up to its title in spectacular ways.
The exceptionality of queer experience is on glorious display here with jagged wit.
Curated as a kind of ‘cabinet of curiosity’, the NGV’s exhibition celebrates a lively and energetic period of Japanese history.
Through text, colour and technology, Gothe-Snape’s retrospective considers how the canon is written, rewritten and unwritten.
Havelock Stevens is one of the more exciting contemporary artists working today, with an astute pulse on the collective psyche.
A magnificent book of photographs that speaks volumes.
Carolyn Eskdale presents a thoughtful response to the architectural qualities of Sunday and John Reed’s former residence.
Jess Johnson and Simon Ward’s exhibition combines virtual reality, textile works, and retrofuturistic aesthetics.
Ian Strange restores empathy to suburbia, in the wake of economic and environment destruction, in this first survey exhibition of his work.
Graduating visual artists articulate crucial issues through a wide range of media.
Paula Dredge provides bold new insights into the work of this iconic Australian artist.
This is a massive project and offers a massive rethink in the narratives we construct and hold around contemporary Pacific practice.
Reclamation considers both personal and political narratives, and comes at a time when our world is collectively questioning environmental responsibility, and turning to Indigenous Knowledge Systems.
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