A celebration of contemporary jewellery and objects, Radiant Pavilion brings together local and international artists for an exciting and diverse range of events, 7-15 September 2019 in venues across Melbourne.
This is the biggest Biennial of its kind in the southern Hemisphere with 60 plus events, it will bring together artists, theorists, collectors, wearers and appreciators from around the world for nine days of exhibitions, talks, performances, roving events and installations.
For the first time, Radiant Pavilion offered two exciting mentorships for early career practitioners. One for a writer to be mentored by Dutch writer, curator and art historian Liesbeth den Besten, culminating in a piece of writing to be published in Metalsmith magazine. The other for a curator to be mentored by Australian curator Kate Rhodes to develop and present an exhibition (Insistent.Gestures.) during Radiant Pavilion.
Melbourne has a thriving hub of contemporary jewellery makers. With a rich tradition and comprehensive offering, it is home to a diverse and generous community of artists, galleries and studios.
“This year’s festival is a wonderful cross-section of what’s happening in the contemporary jewellery and object field. There’s so much to be discovered and I’m thrilled that we are able to present this wonderful showcase in Melbourne.” Claire McArdle, co-Artistic Director
“From the beginning, it’s been really important to me that Radiant Pavilion is more than a festival. The additional programs we offer for artists, such as this year’s curatorial and writing mentorships, mean we can support their creative and professional development in different and meaningful ways.” Chloë Powell, co-Artistic Director.
Insistent. Gestures. RMIT Gallery
Artists: Kazumi Nagano (JP), Yong Joo Kim (KR), Chen Chun Tai (TW), Cyrus (Wai-Kuen) Tang (HK/AU), Yu Fang Chi (TW/AU)
Insistent. Gestures. brings together the work of five artists who live, work or were born in Asia to explore personal narratives, diasporic identity and the use of repetition.
The Indigenous Jewellery Project, Peanut Gallery
Artists: Emily Beckley, Angie Davis, Krystal Hurst, Jennifer Kemarre Martiniello, Lynette Lewis, Djuwakan #2 Marika, Munuy'nu Marika, Dindirrk Mununggurr, Marrnyula Mununggurr, Matilda Nona, Maryann Sebasio, Rosaline Tomasina, Mandy Y. Wanambi, Mothara Wirrpanda, Birrpunu Yunupingu, Marrawaymala Yunupingu
The first survey exhibition of The Indigenous Jewellery Project (IJP). The IJP is a nation-wide Australian contemporary jewellery project working with Aboriginal and Torres Strait Islander owned art centres and artists across Australia.
Artists: Liv Boyle, Sara Retallick, Jennifer Lavers
Seabirds and molluscs, whales and zooplankton, fish, flotsam, and plastics all that inhabits the tidal zone, and upper surface of the open ocean. Utilising material collected by Dr Lavers during her second Research Expedition to Henderson Island in the South Pacific a remote, uninhabited atoll of the Pitcairn Islands archipelago this unique collaboration will see the coming together of disciplines; sculpture, jewellery, sound, and science, exploring site-specific ecologies under pressure. Artists Liv Boyle and Sara Retallick will respond to new research data such as accumulation patterns, weather conditions, beach topography and currents, questioning perceptions of remoteness and natural resilience.
meaning(less)ness II by Susan Cohn
Meaning(less)ness II is a performance talk about the meaning of objects in our lives. Triggered by the 2016 Danish Jewellery Legislation requiring any assets over 10000 Kroner ($2000 AUS) including ‘meaningless jewellery’ to be confiscated by the Danish border authorities to subsidise the upkeep of people seeking asylum, the performance features jeweller, Susan Cohn, speaks to the meaning of jewellery.
Following her successful performance tour in Denmark during 2018, meaning(less)ness II uses Cohn's Danish experience to reconfigure the themes in this work as a way to open a conversation with Australian audiences.
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