Unfinished: Décor is an ongoing project experimenting with spatial, material, temporal and narrative structures drawn out of historic conceptual-art contexts. The project resists the traditional boundaries that govern artistic presentation and actively seeks to emphasise porosity, precariousness and doubt as strategies for reflection.
Robert Mangion and Peter Burke invited artists Damiano Bertoli, Elizabeth Newman and David Thomas to respond to the notion of the unfinished in art. Together they trace connections between individual work processes that engage with notions of the unfinished, dealing with the indefinite postponement of closure and making inaccessible the object of certainty. The artists attempt to establish contexts by which the art object cannot be edified or concluded. Instead, there is a bid to establish deeper ontological structures through which artworks are revealed.
Unfinished: Décor draws upon the last work by Marcel Broodthaers entitled Décor: A Conquest (1974). Broodthaers’ exhibition was spread over two rooms and formed a temporary structure that framed the artworks as objects in a precarious way. Contemplation of his installation opens various conceptual dialogues for our renewed approach in Unfinished: Décor. It expands on art’s tactile engagement with the gallery as non-space, the proximity to past and present temporal modes of presentation, the tautness between subject and object interactions, and a post-medium shift to a performative ontology as art practice. Unfinished: Décor develops a curatorial structure from this set of ideas, locating notions of contemporaneity from the passive notion of ‘being in time’ to an active notion of temporal disjunction.
CURATORS | Robert Mangion + Peter Burke